 Kraftwerk - Bobby Talamine (c) 2025  Ralf Hütter of Kraftwerk - Bobby Talamine (c) 2025 Writing and Photography by Bobby Talamine Edited by Fiza Javid The Auditorium Theatre - Chicago Saturday - March 29, 2025 KRAFTWERK. The never ending and enduring appeal of all things Kraftwerk, led by their sole surviving member Ralf Hütter who is the only vocalist, along with vocoder and synthesizers, accompanied by Hennig Schmitz- All sorts of sound effects along with live keyboards, Falk Grieffenhagen- Electronic percussion, and George Bongartz- Live video technician and other assorted details. So we have the four, making Kraftwerk gel as a collective, led by Ralf of course. And Kraftwerk perseveres, singularly intact, embracing all things in electronic experimentation, taking things to a whole new level with exquisite visuals in accompaniment, let alone alone by the simplicity of elegance as a standard for instrumentation and overall layout. In other words- Kraftwerk is just so damned sophisticated. And to bring this tour to Chicago, and play in such a place as the Auditorium Theatre only adds to its wonders, reflecting on not only the visuals, but the audio as well. Because of this, the Kraftwerk experience is elevated to a degree of full immersion, no need for the "3D Experience" of yore, let alone upping the ante in choice of venues- the last two appearances for Kraftwerk being the Riviera Theatre followed by the Aragon in Uptown. Those shows- equally fun and exciting and full of grace- But last Saturday at the Auditorium- made even more so in memorable status. Cut to the chase- Midway through their set, song number eight- "Autobahn". For us photographers, we were allowed to shoot four songs- 6- "The Man- Machine", 7- "Electric Cafe", 8 (Of course)- "Autobahn, and 9- "Computer Love". "Autobahn" endures. "Autobahn" sustains. The importance of this, the title of this current tour- and thinking on 50 years- "Autobahn" still holds truth to its sincere charm, making electronics and all things synths elegant, to swing with a beat, with mellow vocal accompaniment. How cool is that? 22 minutes of driving bliss, introduced visually for the evening with the "Autobahn" logo, in bright baby blue, followed by all things the Volkswagen Bug, circa most likely when "Autobahn was released back in 1975. And visually, leading with graphics showcasing the actual Autobahn and it's beautiful countryside, the actual expressway all clean and tidy, and you, in the audience, partaking in this mellow and yet so cool ride,  Ralf Hütter of Kraftwerk - Bobby Talamine (c) 2025  Kraftwerk - Bobby Talamine (c) 2025  Kraftwerk - Bobby Talamine (c) 2025  Kraftwerk - Bobby Talamine (c) 2025  Kraftwerk - Bobby Talamine (c) 2025  Kraftwerk - Bobby Talamine (c) 2025  Kraftwerk - Bobby Talamine (c) 2025  Kraftwerk - Bobby Talamine (c) 2025  Kraftwerk - Bobby Talamine (c) 2025  Ralf Hütter of Kraftwerk - Bobby Talamine (c) 2025 Critics back in the day, quite a few of them didn't get it- (slow learners in my opinion)- not embracing what electronica can add to the rock n' roll mix, let alone the complaints about "No drums? No Bass? No lead vocalist or lead guitarist?" As if. Complaining even more so about how they can't stand the monotonous pulse of synthesizers and the beats thereof. And look at them now, gushing forth with the occasional re- releases, and the appeal of electronica circulating back to the mid seventies and early eighties, and the importance thereof. The Kraftwerk fans in attendance on Saturday night- a lot of them were diehards. Got to the Auditorium Theatre early when the doors opened just to check out the scene, clothing and costume attire, and overall mood. Let alone the lines for Kraftwerk merch- that line was long man, inside the main atrium, like wrapping around all of the cement and plaster walls. What's not to like and love about Ralf and all things Kraftwerk? By the looks of things, gentle souls, all four of them. Standard issue craftsmen, most likely all four with grandkids and happy families back home, yet enduring musicians all, assisting in the elegance of the Kraftwerk collective, encompassing everything possible that makes an art collective work, both in overall display and instrument ethic, followed by elegance in visuals- visuals so sharp that their appeal can be witnessed in breathtaking detail whether the first twenty rows, or by the back of the house some 40 to 50 yards back. It's because of all of this that Kraftwerk endures to the present day, age be damned in regards to musicianship, this attention to exquisite detail. Let that be not lost on you, those on the periphery, who have a modicum of "contempt prior to investigation". If this ever comes up at a water cooler type talk at a work break or whatever, my response will be direct- "Have you ever been- whether listening or seeing live?" If not- well let's try to change that. A band like Kraftwerk, in all its sonic and beautiful complexity, will change your life. Good music, extraordinary music that is timeless will do that to you. And, if not able to convince- ok- I have my own secret world of wonderment followed by thousands and thousands of like minded folk. Bobby Talamine - JBTV Music Television Chicago Kraftwerk, Computer Love, Multimedia Tour, 50 Years of Autobahn, Bobby Talamine, Fiza Javid, Jerry Bryant, JBTV Music Television, Chicago Live Music, Auditorium Theatre Chicago
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 Confidence Man - Bobby Talamine (c) 2025  Confidence Man - Bobby Talamine (c) 2025 Writing and Photography by Bobby Talamine Edited by Fiza Javid Subterranean - Chicago Friday - March 28, 2025 Confidence Man are downright awesome, downright PARTY CENTRAL, no matter the venue, no matter the size or whatever. They make each and every stop their own, knowing how to liven up a space, make it ever so memorable. Have not been at Chicago's Subterranean in Wicker Park in awhile, the upstairs main floor. Intimate? By all means. Like "shoe box" intimate. Maybe 350 to 400 people capacity. Still- even with specs where from the main stage, the height to to the ceiling- kinda tough for the occasional flips that Janet Planet and Sugar Bones need for their brand of choreography- certainly not high enough without cracking one's head open off of the ceiling. Okay, so that's ruled out. Still, their choreography, their dance moves, their overall demeanor of making this show at Subterranean so damn fun- a WIN of all sorts. Why? The two of them front and center for one. Fashionable, oh so slick, dance moves perfected in time to the mighty and sexy beats from Reggie Goodchild of course. Plus, the occasional breaks throughout their set for fashion changes, and props to add further pizzazz to the overall aesthetic and thoughtful moods. Even after the first set change, still a party, what with Reggie's "Firebreak" pounding away, the buildup ever so great in intensity, followed by a boat horn signal to elevate things even more. 13 songs in total, one dance party anthem after another after another. The mood throughout- audience to band, band to audience- a non stop/ party dance jubilee, perfected and rehearsed to the point of- no one else I can think of comes close in this display of fun and attitude and demeanor.  Confidence Man - Bobby Talamine (c) 2025  Confidence Man - Bobby Talamine (c) 2025  Confidence Man - Bobby Talamine (c) 2025  Confidence Man - Bobby Talamine (c) 2025  Confidence Man - Bobby Talamine (c) 2025  Confidence Man - Bobby Talamine (c) 2025  Confidence Man - Bobby Talamine (c) 2025  Confidence Man - Bobby Talamine (c) 2025  Confidence Man - Bobby Talamine (c) 2025  Confidence Man - Bobby Talamine (c) 2025 A fever dream of dance resilience, none other than Confidence Man, yet again making you forget your troubles, live in the now, be ever present, a downright giggly and giddy rapture ensues, leaving you yet again stunned and sweaty and drained in a good way. On my shortlist since I first heard of them, a year or so ago before their show here in Chicago at Lincoln Hall- a short list consisting of artists and bands that I need need need to see over and over and over to get my head on straight, remove the clutter of the mind, live free in the moment and embrace their wonderful modicum of somewhat uninhibited party 'till the house lights come on. You see them- you want more. On repeat. Added for props that are so definable for Janet and Sugar- exquisite and flashing shoulder pads and cone bras, lighting for both flashing a vivid display of colors and attitude galore, high camp, yes, but done and worn in such a way that they're not weak in the knees- in fact, just the opposite. It's part of the show man- revel in it, mix it up a bit in it. How fun is that? Simple props with a display of attitude, even if on a minimal budget. So with all the positives I've thrown their way, downright criminal that they're not playing bigger venues, with a budget to match that adds to the ooomph and firepower they clearly display even when performing in intimate venues. It's not like you can't see the footage to confirm on YouTube, what with outdoor festivals such as Glastonbury in '24 as a case in point. Granted they're playing with the sun still out- but look at the stage, look at the audience. A party with Confidence Man. A party on steroids, times ten. This band, like I've said a million times, pivot into wherever they're playing accordingly. But- sorely needed, in the states, in a bigger venue with opening DJ's, curfew be damned. Yes, Confidence Man, always ridiculously awesome when seen live, clearly one of the best dance acts on the planet right now, if not theeee best. All things Confidence Man- A masterclass in all things in perfectly orchestrated dance pop galore. Easily, even for an intimate venue, one of the best live shows I'll see this year. Bobby Talamine - JBTV Music Television Chicago Confidence Man, Subterranean, Bobby Talamine, Fiza Javid, Jerry Bryant, JBTV Music Television, Chicago Live Music, La La La Tour Mayhem - Bobby Talamine (c) 2025  Mayhem - Bobby Talamine (c) 2025 Writing and Photography by Bobby Talamine Edited by Fiza Javid House of Blues Chicago Thursday - March 20, 2025 Decibel Magazine and it's annual Metal Tour knows how to incinerate the masses. they never wilt under pressure, showcasing weaklings and anything mundane in regards to band selection. To them, that would be an embarrassment of sorts. So here we are in the midst of their latest tour, with a stop at the House of Blues in Chicago, and with this juggernaut of a lineup, featuring Mayhem, Imperial Triumphant, Mortiis, and New Skeletal Faces. As for headliners Mayhem- Still fierce as ever. Not much for small talk. Lots and lots of songs to get to, what with their massive catalog as a show of strength. And the band, fronted by Attila Csihar, along with co- founder and menacing bassist Necrobutcher, and long time drummer Hellhammer, and two punishing guitarists in Ghul (from the Shining), along with Teloch (from Nidingr)- Well that's the definition of black metal in its purest form, uncompromising to the core. This lineup from Mayhem, which has been around for awhile, like over a decade, has managed to up the ante with its brilliant catalog, old and new songs, doesn't matter- venomous spirits intact. Not much for flashy props and costumey accoutrements- These guys are clad in black, instruments at the ready, along with fierce facial paint for the frontman Attila. From the opener, the bludgeoning of all things "Malum", followed in strength with "Bad Blood", and then into "MILAB"- all three from the pit to photograph live, followed when exiting before song four with a facemelt. along with ears burning. Lots of menacing reds in regards to lighting throughout, just to convey the overall dire and confrontational mood. As well as you'd expect from Mayhem, what the songs demand, what the accomplished musicians demand from each other. They've been around awhile, been through horrors of the unthinkable since like 1984 or thereabouts. No need whatsoever to get into any of it, but suffice it to say in my opinion, their overall mood and aesthetic is to make you concentrate and focus on the present, not the past history. Songs- yes. Other shit- leave it alone. Also I believe, this is as punk of an attitude as metal, which I consider the ultimate compliment. Yes, they are so fierce live, and uncompromising. Which is the point, when considering attempts in all things "My Death", or even "Crystalized Pain in Destruction", or even the brilliant "Freezing Moon". When played live, especially on this current Decibel Tour- nothing dialed in, nothing fake whatsoever. And the fact that this current lineup is no holds barred, and when you think of it, they've defined this genre of metal, time and time again they still continue to innovate. How they don't look exhausted at the end of every show astounds, even though we all know that this band, their music- not for the feint of heart. They look the part, they play the part, they undoubtedly feel the part, emphasis on "the feel". So yes, their show at the House of Blues was mesmerizing from beginning to end, all the way to their last song "Pure Fucking Armageddon", which for all intent and purposes, is pure fucking armageddon. If ever there was a song for these current times, it's definitely that. Mayhem, all things Mayhem. Lethal as all get out.  Mayhem - Bobby Talamine (c) 2025  Mayhem - Bobby Talamine (c) 2025  Mayhem - Bobby Talamine (c) 2025  Mayhem - Bobby Talamine (c) 2025  Mayhem - Bobby Talamine (c) 2025  Mortiis - Bobby Talamine (c) 2025 Mortiis- Mortiis, (Havard Ellefsen)- Been around awhile as well. And here's another guy who can't seem to sit still, constantly experimenting with his sound and aesthetic, improvising all along the way, and taking risks, which is like his middle name. That's a high compliment as well, a guy like Mortiis so immersed in his heart and the overall view of his type of music, all dark ambient, and dungeon like. The show presented on the current Decibel Magazine Tour has expanded, adding drummer Jon Siren stage left, with all sorts of floor toms and percussion, adding emphasis to the lush and dark sounds from Mortiis, front and center. The two of them, for a brief set around 45 minutes or so, was compelling, noting the full weight of the songs conveyed, with wicked illustrations presented on the LED backdrop to immerse you in the overall feel of Mortiis and his world. The beauty of their set was in its honesty and originality, the songs conveyed in such a way visually that leaves you wishing they could've played a longer set, the songs being that good. Great to see them live on this tour however, showcasing the songs in such a way, like traversing back in time with castles and fantastical characters.  Mortiis - Bobby Talamine (c) 2025  Jon Siren - Bobby Talamine (c) 2025  Mortiis - Bobby Talamine (c) 2025  Mortiis - Bobby Talamine (c) 2025  Imperial Triumphant - Bobby Talamine (c) 2025 Imperial Triumphant- Such a band, the name aptly fits in regards to their music and overall presentation- that being sophisticated presence in clothing and attire. That they match things up with music that astounds, with heavy riffs of a mathematical note, like King Crimson on steroids, and a bit of order followed by some chaos, all the while unfolding into an amalgam of beauty and fierce despair- like Mortiis that followed after- a set that was way way to short. But they do not fit into anything concise with glee, opening with "Lexington Delerium", and ending at song number seven with "Atomic Age". Again, over in a flash. Imperial Triumphant- a monolith unto themselves, advanced as all get out, leading up to their latest release "Goldstar", which comes with a warning sticker- "Imperial Triumphant can impair your mental health and cause cardiovascular disease or epileptic seizures. Use new album "Goldstar" at your own risk". So yeah. They came to play with the others, and incinerate the masses all the while.  Imperial Triumphant - Bobby Talamine (c) 2025  Imperial Triumphant - Bobby Talamine (c) 2025  Imperial Triumphant - Bobby Talamine (c) 2025  Imperial Triumphant - Bobby Talamine (c) 2025  New Skeletal Faces - Bobby Talamine (c) 2025 New Skeletal Faces - Such a set, albeit short as well. But these guys- gritty and scuzzy rock n' roll incarnate. And I mean this with positives, not negatives. They play the part, definitely wear the part, and come off fierce all at the same time. Watching them perform, seeing them crash and burn through their set, just downright fun and nasty. Hard to truly define these guys, since they appear to cover lots of genres, but still, their cavernous tombstone appeal, let alone songwriting chops- all of it- clever as all get out. Want more of this when they come through town sometime/ somewhere.  New Skeletal Faces - Bobby Talamine (c) 2025  New Skeletal Faces - Bobby Talamine (c) 2025  New Skeletal Faces - Bobby Talamine (c) 2025 And it goes to show that yet again, Decibel Magazine, and this current incarnation for their 2025 tour- they delivered. Bobby Talamine - JBTV Music Television Chicago Decibel Magazine, Mayhem, New Skeletal Faces, Imperial Triumphant, Mortiis, Bobby Talamine Fiza Javid, Chicago Live Music, Jerry Bryant, JBTV Music Television, House of Blues,Live Review: DISTURBED - The Sickness 25th Anniversary Tour with Three Days Grace & Sevendust3/12/2025  Disturbed - Bobby Talamine (c) 2025  David Draiman, Disturbed - Bobby Talamine (c) 2025 Writing and Photography by Bobby Talamine Edited by Fiza Javid United Center Chicago Saturday - March 8, 2025 Disturbed, fully intact. Fronted by charismatic lead singer David Draiman, and with guitar shrapnel volleys from Dan Donegan, and underlying (yet heavy) bass from John Moyer, and punishing drums from Mike Wengren. They came to play folks, especially it being a hometown show of sorts. They sold out the United Center- and the faithful got there early, to see openers Three Days Grace and Sevendust. Also helps that the show falls on a Saturday night, enhancing the celebratory party feel between all three bands. And of special note, a week before the show, checking David's Instagram feed, and a cool post with Lajon Witherspoon, lead singer of Sevendust. The caption read- " To say I respect this man is an understatement. Lajon Witherspoon has been a dear friend, a colleague and a teacher to me since before Disturbed was signed. So happy to have Sevendust out with us again!" That has "Feel Goods" written all over it. Much needed in this day and age, in my opinion. The whole band shares the same sentiment, having done a meet and greet at J.J. Kelley's Restaurant and Pub in Lansing, a south suburb of Chicago the day before, one of their original stomping grounds doing their best to make a name for themselves back before they even had a recording contract. They love their fans, truly appreciate how they've come this far, 25 years since the release of their debut- "The Sickness". The album still holds up, especially when performed live. And the other treat is that there were no deviations in the way it was presented- the whole album in the first set in its entirety, not emphasizing the hits and singles. So yeah, as cool as that sounds, song number three for the evening fired up the venue tenfold- that being "Stupefy", with lots of fire engine red lighting, along with washes of vertical pyro coming form the gigantic stage production, looking like a gigantic scaffolding, with plenty of options interspersed throughout to enlighten the senses. Have to give them credit and staying true to the album for set number one- bulldozing through the album in what seemed like a flash, before descending into set number two which for all intent and purposes, is the "Greatest Hits" part of the show. The cool thing about staying true to the album "The Sickness"- some of these songs you probably haven't heard in ages, since they wouldn't be in a regular live production rotation, igniting the band even more in my opinion, clearly by the looks of things they're having fun, playing songs they haven't played in quite some time. Lots and lots of fun thoughout. The show, front to back- high energy, and not just with Disturbed (which is obviously a given). All three bands came to play caffeinated. High energy alerts throughout. So Disturbed's setlist- some twenty songs in total, again divided between all things "The Sickness" to start, followed by a brief break, then into another eight songs of "The Hits", with everything under the sun, including some trailblazing covers, such as "Land of Confusion", and of course "The Sound of Silence". Both sets, polished and full on, collective intensity intact. So happy for these guys, succeeding the way have, from the ground up, working hard from the start in making a name for themselves. That kind of trajectory, that kind of fight, to selling out arenas, that never leaves you, especially for a band like Disturbed. Brute force honesty in staying true to themselves, made even more so with word of mouth success, followed by constant (I mean constant touring). Such was the show on a Saturday night in Chicago, a celebratory feel, everyone in on the action, from crowd to band, band to crowd.  Disturbed - Bobby Talamine (c) 2025  Disturbed - Bobby Talamine (c) 2025  Disturbed - Bobby Talamine (c) 2025  Disturbed - Bobby Talamine (c) 2025  Disturbed - Bobby Talamine (c) 2025  Disturbed - Bobby Talamine (c) 2025  Disturbed - Bobby Talamine (c) 2025  Disturbed - Bobby Talamine (c) 2025  Disturbed - Bobby Talamine (c) 2025  Matt Walst, Three Days Grace - Bobby Talamine (c) 2025 Three Days Grace. They came to play, and also delivered. 12 songs in their setlist, almost like a full set. How cool is that? And with both original singer, Adam Gontier and current vocalist Matt Walst. Dual vocalists can be troublesome with tradeoffs and such, but not these guys. Like everything this evening, their having damn fun. Opening with four on the floor kinda song in "Animal I Have Become", followed by "So Called Life", and of course "Break". A one/ two/ three punch delivered to knockout, with plenty more to go. And the stage, the props, the overall mood and lighting- delivered like they were co- headliners. Such a great band, with hard rock songs played gritty, played aggressive. They certainly know how to please a crowd, any crowd, keep them amped and entertained, whether headlining, or opening for a band like Disturbed. A remarkable set, full on adrenaline.  Three Days Grace - Bobby Talamine (c) 2025  Adam Gontier, Three Days Grace - Bobby Talamine (c) 2025  Three Days Grace - Bobby Talamine (c) 2025  Three Days Grace - Bobby Talamine (c) 2025  Three Days Grace - Bobby Talamine (c) 2025  Lajon Witherspoon, Sevendust - Bobby Talamine (c) 2025 Sevendust. Fronted by another charismatic vocalist in Lajon Witherspoon. Only a six song set, but still... delivered, and delivered then some. And like I said at the beginning- the crowd, they showed up early. Main floor looked packed, and most of the mezzanine level seats as well. The band- an approach to heaviness embraced with killer chords, killer rhythm section and solid guitar interludes, fronted by heavy hitter Lajon Witherspoon. Opening with "Face to Face", which with Lajon, is "Face to Face" with the audience, utilizing the extended runway from the mainstage to interact with the audience, like literally throughout their set. A riveting set, punctuated by a band also having damn fun, and damn fun throughout.  Sevendust - Bobby Talamine (c) 2025  Sevendust - Bobby Talamine (c) 2025  Sevendust - Bobby Talamine (c) 2025 What a night of power metal and brazen entertainment, with three bands unified to the core to deliver to the masses. Bobby Talamine - JBTV Music Television Chicago Disturbed, Three Days Grace, Sevendust, United Center, Live Music, JBTV Music Television, Chicago, Bobby Talamine, Fiza Javid, Jerry Bryant, Matt Walst, Adam Gontier, David Draiman, Lajon Witherspoon DEATHPACT - Bobby Talamine (c) 2025  DEATHPACT - Bobby Talamine (c) 2025 Riviera Theatre Chicago Saturday - Feburary 22, 2025 DEATHPACT. Questions galore- Who is DEATHPACT? How do you classify an artist such as DEATHPACT, or better yet, is it even necessary? In regards to the second question, and my experiences in covering all facets of EDM for quite a number of years now- DEATHPACT is all over the map. You hear experimental everything, whether it be low bass, bass, bass house, dubstep, deep dubstep, of progressive house. But all of those terms don't really cover it, since DEATHPACT is a force of nature bounded by no one, let alone subgenres. Why the secrecy in regards to puzzles when releasing (or finding) new releases, such as a treasure hunt with clues on top of more clues? This is genius, in my opinion. It's ultimately clever, not relying on standard and set in stone ways of releasing new material, also with a level of mystery surrounding each and every said release. If for anything, it keeps the fanbase growing, getting more rabid with each and every nugget released in a treasure trove of clues and a deep dive into whatever single (along with remixes ) comes forth. And it's all done with patience, nothing rushed, nothing brazen and over the top with a projected end date. In my opinion, you can't get more indie, up from the underground, than that. So like most artists that have an undeniable mystery, the music to back it up, the visuals and live performances to back it up- I'm all in when documenting, when discovering an artist, a collective, such as DEATHPACT. The added bonus to all this is the tour stop at the intimate Riviera Theatre in Chicago, capacity around 2500. Unheard of, at least for me, to have a sophisticated EDM artists appear in that venue, and put on an extravagant show for the masses. And like most prominent EDM shows- everything runs on their clock- the "Night Owl" clock. Doors at 8pm, show starts at 9:30pm, two (or three) acts to open, followed by the headliner. Headliner usually goes on around 11 / 11:30, or midnight, or even later. So back to DEATHPACT, and the ever evolving puzzle with deep rooted clues. A cool definition- "DEATHPACT has and will remain an anonymous harbinger of forward thinking art and music". And if you were to investigate further, the stories are intact- and done with class, along with preceded clues since the beginning, nothing wasted, done and thought up sophisticated and entertaining, nothing dated, with a collective (I assume) of like minded people who are all in and creating an appeal that is worthy of your attention, without much need of pushing out press to the regular masses, equal in the display and might of simple word of mouth. And like everything in regards to DEATHPACT, this speaks volumes in my opinion. And again, I'm not privy to the inner workings of DEATHPACT, nor do I wish to make my own deep dive on assumptions. What attracted me to the show in the first place was the choice of venue, followed by who's involved- a co-promoter kind of show, with Jam Productions and also Collectiv. And then of course I saw the advert for the Riviera Theatre, the sophistication of that, followed by some YouTube feeds from previous performances, and holy shit. This is good. I mean REALLY GOOD. No matter the size of the venue, let alone festivals... The visuals, the slow build in the intro, the overall pummeling from the get go, and also, unrelenting in brute force / take no prisoners kind of approach. And that's just from I witnessed on YouTube and such. Live and in person- A whole 'nother level of whiplash sophistication. For the show at The Riv- obviously dialed down to fit the intimate stage consignments, but still, just so damn well thought out. What really made the show more definitive for me, was the foot stomps and full upper body forward lunges from DEATHPACT.  DEATHPACT - Bobby Talamine (c) 2025  DEATHPACT - Bobby Talamine (c) 2025  DEATHPACT - Bobby Talamine (c) 2025  DEATHPACT - Bobby Talamine (c) 2025  DEATHPACT - Bobby Talamine (c) 2025  DEATHPACT - Bobby Talamine (c) 2025 DEATHPACT - Bobby Talamine (c) 2025  DEATHPACT - Bobby Talamine (c) 2025 Unlike most EDM shows burying the lower body in table curtains, or even small filler LED screens to enhance to DJ Rig- this minimizes the feel and attachment to the actual artist performing, like a recessed detachment from the mood and excitement of whichever crowd. For me, witnessing DEATHPACT in almost full body adds to the allure of excitement equal to the crowd, like everyone's all in, beyond the occasional arm gesture waves, which are also common. The look and feel is definitely renegade, added even more so by of course DEATHPACT, and his chosen and oh so sophisticated LED Mask, shrouded in a hoody and what looks like black military garb. A definitive show of force, a show of force with bludgeoning impact. And the lighting, the blinding strobes, the lasers throughout- all used accordingly with maximum impact. Yes, I was in the pit at first, for approximately the first ten or so minutes of the show, which is all well and good. But like most sophisticated EDM shows I've covered over the years- my equal enjoyment is usually by the soundboard, for maximum effect in overall mood and lighting. No different with DEATHPACT- from that vantage point the show excelled for me, took off like a F15 fighter jet that never landed. The overall feel was settling into a multi-sensory universe that visually and musically just knows how to suck you in, and never let up. Setlist wise, could've fooled me. One song zipped and blended into another, no brakes whatsoever. But that doesn't matter. The overall feel was one big gigantic story to tell, and obviously lots more stories to tell down the road, with proof of anonymity and literally everything shrouded in secrecy in regards to monthly (yearly) plans. And I assume as tech constantly develops, whether it be stage presence, let alone recording and new recording techniques, and also sounds of the unknown, it makes sense to have a collective, let alone a guy like DEATHPACT at the controls. If for no other reason than to embrace the freedom of not knowing anything from the outside looking in. For me, that's the solid and cool appeal, knowing that I think they know that wholeheartedly, and let other people discuss, with the occasional forthcoming clues of existence and creative intellect. Again- How fucking cool is all that? Count me in for further documentation- ready willing and definitely able. Such was the show from last weekend at the RIV. Bobby Talamine - JBTV Music Television Chicago DEATHPACT, Riviera, Live Music, Chicago, Jerry Bryant, Bobby Talamine, Fiza Javid, JBTV Music Television, JBTV Blog, Live Review Molchat Doma - Bobby Talamine (c) 2025  Molchat Doma - Bobby Talamine (c) 2025 Writing and Photography by Bobby Talamine Edited by Fiza Javid Salt Shed Chicago Friday - February 21, 2025 Molchat Doma. Egor Shkutko - Lead Vocals. Roman Komogortsev- Guitar, Synths and Drum Machine. Pavel Kozlov- Bass and Synths. Molchat Doma - They embrace Post- Punk, Synthwave, Darkwave, Coldwave, you name it. And they don't mind all these classifications and subgenres attached to them, in the spirit of continually attracting an audience, which they've successfully done since their outset, even more so, especially since they originally came from Belarus. And when you think of it, that says lots, in my opinion, courtesy of keen self promotion, especially with the likes of YouTube, amongst others. The subgenres above, the audience, especially in Chicago, embrace all bands and artists that fall under the above categories, and expand out thereof.They welcome and thirst for new arrivals, ever embracing and supporting the music and artists wholeheartedly. I've witnessed this firsthand since way way back, since the early eighties, in regards to the brotherhood that is all things Chicago, and anything indie and alternative and underground. And it doesn't matter about gender, doesn't matter about sexual orientation, and doesn't matter about which country you reside in, or came from. Chicago is all in and ready to embrace and support bands such as Molchat Doma. So for Molchat Doma, Chicago has witnessed their trajectory from small venues, to the current day, and their North American Tour of 2025, with a stop at The Salt Shed in Chicago on a Friday night. As for Molchat Doma, they've been around for years, their first release dating back to 2017 with "S krish nashikh domov". A hard working band, that's for sure, all in with regards to album releases, let alone touring. With their catalog, with four releases under their belt (excluding their one live album), they could easily have gone political, if they chose to, since where they originated from, Belarus. But instead, they chose a most sincere and thought provoking approach, assembling songs and songwriting conveying deeply emotional truths, personal despair, existential dread, that sort of thing.  Molchat Doma - Bobby Talamine (c) 2025  Molchat Doma - Bobby Talamine (c) 2025  Molchat Doma - Bobby Talamine (c) 2025  Molchat Doma - Bobby Talamine (c) 2025  Molchat Doma - Bobby Talamine (c) 2025  Molchat Doma - Bobby Talamine (c) 2025  Molchat Doma - Bobby Talamine (c) 2025  Molchat Doma - Bobby Talamine (c) 2025  Molchat Doma - Bobby Talamine (c) 2025  Molchat Doma - Bobby Talamine (c) 2025 And all for the better, simply because you can so relate, even if Egor sings everything in Russian. That deep baritone of his, let alone the majestic undertone of heavy and swinging synths and rhythmic electronic drums just adds to the luster and mystique of their songs, especially when performing live. The opener- "Kolesom" followed by "Ty Zhe Ne Znaesh Kto Ya", from their latest release "Belaya Polosa" are compelling as all get out, "Kolesom" built on subdued synths and beats, with vocal restraint from Egor, and yet transfixing throughout, watching him, watching the band. And with "Ty Zhe Ne Znaesh Kto Ya", a slow build as well, to suddenly letting loose, with Egor midway through stomping about in a hypnotic dance, propelled along by the intoxicating and sexy beats and synths from Roman and Pavel. The crowd- right off the bat ate that up, bobbing along in tandem with the band. And so it goes for the night, captivating songs, followed by a captivating audience. Everyone is all in. Have to say, Egor, Roman and Pavel, they know how to unite a crowd, and not with a bludgeoning and brute force- in fact, just the opposite. Song after song after song, they relish in sincerity, in honesty, nothing fake. Egor, Roman and Pavel immerse themselves in moody atmosphere throughout their set, conveyed with floor strobes and upper rig strobes that bathe the band in hues of magenta and purple and white, the kind of lighting that conveys a sense of delicacy and intimate escapism. And yet throughout their set the entire night, their songs bounce back and forth from keen introspection and dialed down tempos, to the outright danceable- songs such as "Ya Tak Ustal" and "Discoteque" in particular, the beats more danceable, more energetic to sway and move in place with the band. Before you know it, we're up to the encore, from "Kletka" to the close, the supremely addictive "Sudno (Boris Ryzhyi), haunting and propulsive beats pervade, exuding confidence and mastery throughout, with a crowd eating along to every word, every nuance. Such is the performance with Molchat Doma, a band that deserves your attention, with a cache of songs that captivate, and a keen aesthetic with their lighting that can set a mood, and immerse you in, all done with restraint, with delicacy, and yet keenly danceable, keenly captivating. Their tour is heading west, with a few dates left from Denver, followed by the west coast. Highly recommended to see them live- you won't be disappointed. Bobby Talamine - JBTV Music Television Chicago Molchat Doma, Minsk, Russian, Belarus, Belarusian, Sudno, Goth Bats, JBTV Music Television, Bobby Talamine, Fiza Javid, Jerry Bryant, The Salt Shed, Live Chicago Music, Doomer Wave, Synthwave, Gothic Phantogram - Bobby Talamine (c) 2025  Phantogram - Bobby Talamine (c) 2025 Writing and Photography by Bobby Talamine Edited by Fiza Javid Byline Bank Aragon Ballroom Chicago Friday - February 14, 2025 Sarah Barthel and Josh Carter of Phantogram, currently on their "Running Through Colors Tour", with a stop at the Aragon Ballroom Chicago. On Valentine's Day. When the doors opened for tonight's show, my usual modus operandi is to go upstairs to get my camera gear in order. My usual spot is at the corner of the bar at the rear of the main floor, with plenty of space to get things in check. What was unusual about this particular show was the medic crew, assisting a man up the stairs, and to fit him eventually into one of the wheelchairs provided by the venue. Have to say how painstaking this was, one set of stairs at a time, to get him up to the main floor, and then eventually to the special section laid out for wheelchairs and such. The medics took their time, knowing full well that this is part of the process, especially for this guy, in relation to the musical experience. Not even literally five minutes after that, coming up the same set of stairs, a blind girl, with assistance from her friend, navigated the same set of stairs slowly and assuredly to the main floor. I'm under the impression that they've done this before, their conversation alluding to Phantogram, and to hear their older favorite songs along with the new, both with big smiles at the excitement of it all. They proceeded with their conversation right next to me, with the blind girl asking her friend where do you think the sweet listening spot would be on the main floor for the best sound. I felt compelled at first to jump in, but didn't, simply because I didn't want to intrude on their conversation, and the girl assisting stating that we should just roam around a bit, and locate a spot that feels comfortable with decent sound. I Bring all of this up because after years and years and years of documenting bands, I've never witnessed firsthand anything quite like this, especially back to back episodes of assistance. And at a Phantogram show no less. How cool is that- the vibes throughout before the show, especially on a Friday night in Chicago, and especially on Valentine's Day. And the feel good moments continued throughout, leading up to Phantogram entering the stage. Have to say their electronic rock/ electronic pop/ dream pop whatever still dazzles, based on the strength of their back catalog, and also equally based on the strength of their latest release from last year in October with "Memory of a Day".  Phantogram - Bobby Talamine (c) 2025  Phantogram - Bobby Talamine (c) 2025  Phantogram - Bobby Talamine (c) 2025  Phantogram - Bobby Talamine (c) 2025  Phantogram - Bobby Talamine (c) 2025  Phantogram - Bobby Talamine (c) 2025 And the setlist for tonight reflects this, opening the show with "Jealousy" from their new album, along with six other interspersed throughout. The audience from my perception digs the vibes as well, both old and new songs, which measures with me that Sarah and Josh continue to have lots to say, with compositions and songwriting chops that expand, let alone produce otherworldly arrangements. The overall feel of their body of work, at least for me, are songs based on a style of movie/ cinema vignettes, acting out in a way that's like "detached and exceptional chill", if there is such a thing. Conveyed from the opener, with dark ambient hues in regards to lighting, for the first three songs from the pit, the second being "Don't Move", followed by the banger "Fall in Love". All sweeping and gliding along arrangements absorbed once again in the intoxicating synths, followed by the enchanting and breathlessly creative and subdued vocals of Sarah Barthel. The duo of Phantogram know by now a thing or two to convey their thoughts musically with swirling guitars, washed over with enchanting beats, and followed by commanding and compelling vocals. That formula works to the present day, if for anything they know how to build on beats and samples from the ground up, ever attentive to natural surroundings and sounds I assume that the average listener would take for granted, let alone record it, save it, hum it out loud for later, all the time knowing full well that these two are hyper aware of such things when in the midst of the creative process, let alone I assume a catalog or files and files of beats and sounds that they've saved from over the years. That above sentence says lots in my opinion, not being of course in their inner circle of creativity, but still, me acting like a detective on such things, followed by my camera work from over the decades, and having witnessed working with the band from back in the day when they did a live performance taping at JBTV Music Television- even then you could see how their partnership is truly special musically speaking, creatively speaking. The setlist, the show- some 17 songs in total including encore. And it was all over in a flash, each song taking a deep dive into the next, ending with the glorious "When I'm Small", from their debut album "Eyelid Movies", from back in 2010. Hard to take that in when you think of it, some fifteen or so years later. That says lots about how these songs still hold up to the present day, and still sound so fresh and not dated, nothing cringeworthy. Good songwriting and musicianship- that's Sarah and Josh of course. Add to the fact performance wise they seem to be having fun, and adding luster and panache to their shows, embracing as well a bit of the sexy when it comes to fashion, followed by solid performance art. Such is this show with Phantogram- with dates now heading west, with stops in Denver and Salt Lake City, before ending up with more dates along the West Coast. Not to be missed. Bobby Talamine - JBTV Music Television Chicago Phantogram, Aragon Ballroom, Byline Bank Aragon Ballroom, Jerry Bryant, Bobby Talamine, Fiza Javid, JBTV Music Television, Chicago Live Music Geordie Greep - Bobby Talamine (c) 2025  Geordie Greep - Bobby Talamine (c) 2025 Writing and Photography by Bobby Talamine Edited by Fiza Javid Bottom Lounge Chicago - January 29, 2025 Geordie Greep on his first solo tour in the states, with a residency in Chicago, the first of three nights at the Bottom Lounge, followed by two more shows at the Empty Bottle. Highly anticipated since the Fall of last year, when this batch of dates was announced in the states. And the show- It didn't disappoint. Some quick takeaways from Wednesday night at the Bottom Lounge: Load In. When the band arrived, and parked their limo cargo van to unload their gear- jovial and fun vibes throughout. Their driver, I assume also their sound and lighting guy, comes out of the van once parked wearing a gigantic cheesehead, like the kind you see at Green Bay Packer games. The second takeaway is Geordie's bass player, Dave Strawn, and what he's wearing, which is a Slayer T Shirt while setting up his gear between the opener Nnamdi prior to going on. So in my opinion, without even having played a single note as of yet, these guys are fun. And they're having a damn good time bringing this show to the states, no matter the size of the venue, or let alone the stage. The setlist changes a bit from night to night, but emphasis is clearly on Geordie's solo release "The New Sound", from October of last year. But there's also nuggets interlaced throughout Geordie's set, with a nod to the great Chick Corea, with the song "Spain", from 1971, and Chick's band Return to Forever. Geordie also covers a Willie Colon song "Cua cua ra, cua cua", along with a song from his keyboard player Cameron Campbell "Parabola", along with a song from his previous band Black Midi- "Dangerous Liaisons". So the main takeaway with all of this, is of course Improvisation, followed by lots and lots of exploration, even with the solo songs from "The New Sound". And you have to give him credit for this, if for anything the idea of challenging himself, and surrounding himself with musicians who know a thing or two with powerhouse chops and renegade everything. The Bottom Lounge on a weekday night in Chicago- Packed. And the buzz for this show in the venue was ever evident, the audience taking it all in, and enjoying the banter from Geordie, let alone the "Feel Good" vibes. You can tell, at least from my perspective, that mistakes are ok when pushing one's self, as I noticed from the photo pit, with Geordie looking about at his fellow band members, reading cues on elevating instrumental moments, and letting his band relish and take deep dives into breakneck solos, no matter the song, no matter if the complexity is sometime's hard to keep up to match wits with brain and cues. This show- it was just so damn fun, from opener "Walk Up', to the close with "The Magician". The challenge as well, which again was fun to witness over and over, was the band trying to keep things loose as well- and that yes, these compositions are challenging, that's for sure, but let's see where we can take this, including impromptu twists and turns.  Geordie Greep - Bobby Talamine (c) 2025  Geordie Greep - Bobby Talamine (c) 2025  Geordie Greep - Bobby Talamine (c) 2025  Geordie Greep - Bobby Talamine (c) 2025  Geordie Greep - Bobby Talamine (c) 2025  Geordie Greep - Bobby Talamine (c) 2025  Geordie Greep - Bobby Talamine (c) 2025 That was ever evident in the deep dive of everything in song's number two and three, "Terra", into "The New Sound", with keyboard flurries from Cameron, let alone drum fills from Charlie Sheft, along with percussionist Santiago Moyano. Throughout the entire night, these guys..... They unleashed the hounds, like over and over and over, hence Geordie looking stage right at Cameron on the keys for assurance on melody breaks, let alone turning around on multiple occasions to soak in the vibes of all things drums and percussion percolating ever so timely from behind him. You can tell by all of this that that comes from a solid jazz composer background, with complex melodies making your hairs stand on end, like advanced learning in musical composition, and- audience- are you along for the ride? By the looks of things, the entire night- a resounding yes. So grateful, again in my opinion, to witness this in a small club/ venue setting, before things get bigger in larger venues, if that happens to be the case, and Geordie has bigger ideas on where to take things further. Not that I have any idea on that- just suffice it to say that this current incarnation of Geordie's band- so damn fun to feel the heat and sweat coming off the stage, with gigantic smiles throughout. This band- Geordie's band- fully engages the listener. Also refreshing to see the lines at the back at the back of the venue for Geordie's merch, especially his vinyl for "The New Sound", doing brisk business. The folks at the Bottom Lounge? They were obviously in the know. Again- This show was so damn fun. What a great way to kick off the new year, musically speaking. More dates await, with stops heading east, from Kalamazoo Michigan, Toronto, Montreal, before heading to Boston and also Brooklyn. If not sold out- now's your chance. Go get them tickets. You won't be disappointed. Bobby Talamine - JBTV Music Television Chicago Geordie Greep, Bobby Talamine, 2025, JBTV Music Television, Live Music, Chicago, Bottom Lounge, Fiza Javid, Jerry Bryant King Diamond - Bobby Talamine (c) 2024  Bobby Talamine (c) 2024 Writing and Photography by Bobby Talamine Edited by Fiza Javid The Chicago Theatre - Thursday - November 7, 2024 So when the original announcement came out about King Diamond's latest tour back in mid July, entitled "Saint Lucifer's Hospital 1920"- This was the caption to start the ad: "ENTER SAINT LUCIFER'S Hospital.....IF YOU DARE!" Yes- all in caps. You see ads and promotions like this, and the first thing that usually comes to mind, arms crossed- is- "Prove it". Quite a few times it's not up to snuff, or mediocre, with some semblance of an attempt. Then enter King Diamond, and well, let's just say he commands, and it's well thought out- I mean everything. This show, a horror spooked affair, topped with a sophisticated stage setting for such an intimate venue as the Chicago Theatre, and followed up with trailblazing musicianship, and of course the ungodly howls and vocals of none other than the mighty King Diamond, trekking along at 68 years old. Yeah, you heard that right. That powerful and wide ranging tenor of his- he hasn't lost one bit of it- operatically theatrical and stunning when the moment arises, hitting on high without losing luster whatsoever. Even if this production was a barren stage, bathed in red- that voice of his would still be stunning to witness live, low budget props n' all. Now ad a production that is elaborate as all get out, like a haunted interior of a mansion, with multiple staircases stage left and stage right, an upper second level to encompass the drumming of Matt Thompson, along with artist Myrkur, the dynamic vocalist and keyboard player for this tour. On top of that, the third floor, which is a balcony, portrayed as "outdoors", with icy icicles on the entire rail. All of this- to portray a theatricality that's meant to wallop you on your ass, from main floor to balcony. The conception of this, admittedly in more intimate venues- this could either work, or fail miserably. But it's King Diamond for cryin' out loud- a man who knows his audience, has wicked visions of operatic theatricality, then proceeds to huddle up the right people to convey this vision as a team effort, and we'll figure out budget as we go along. Again, amazing when you think of it from a technical standpoint. Yes- this is a show that's memorable, with multiple costume changes depending on set cues- like an opera with different acts, opening with taped in music from none other than Uriah Heep of all things, followed by the first set, titled "Funeral", then followed by the second set "Them", then the third "Two Little Girls", and lastly, before the encore "Out From The Asylum".  King Diamond - Bobby Talamine (c) 2024  King Diamond - Bobby Talamine (c) 2024  King Diamond - Bobby Talamine (c) 2024  King Diamond - Bobby Talamine (c) 2024  King Diamond - Bobby Talamine (c) 2024  King Diamond - Bobby Talamine (c) 2024  King Diamond - Bobby Talamine (c) 2024  King Diamond - Bobby Talamine (c) 2024  King Diamond - Bobby Talamine (c) 2024  Night Demon - Bobby Talamine (c) 2024  Over Kill - Bobby Talamine (c) 2024  Bobby Talamine (c) 2024 Taking it all in, all 14 songs- never a dull moment, just captivating and riveting all at once. A lot of that is owed to King Diamond's band- guys who've been with him for years, for decades. Such as guitarists Andy La Rocque and Mike Wead, along with bassist Pontus Egberg, and of course drummer Matt Thompson, and also backup vocals and keyboards from Mykur, as mentioned above. All of them, flesh out the blood and angst of each and every song, to the point where you know they were created to be played live, to bludgeon accordingly. This is a band man, age be damned on all counts- music still front and center, followed by stage props and an abundance of sophisticated flashing strobes of all shapes and sizes, uniquely placed throughout the interior of the haunted mansion (hospital), along with the stage floor. Again, everything is just so well thought out. And opening with the one/ two counter punch of "Arrival", into "Mansion of Darkness"- no slow build up whatsoever- the hounds are out the gate from the get go. Added to the luster of it all are two new songs believe it or not- "Spider Lilly" and "Electro Therapy"- both worthy of the King Diamond stamp of approval- although no release date on new material has been discussed as of yet. And technically it never let up from there- foot on the gas all the way up to set three- some eight songs total, all bangers, tripped out with a PA that just wallops and wallops you over and over. Of course, closing out with the encore encompassing "Abigail", which is just a perfect way to end the display of mighty musicianship and theatricality. All of this, with splendid support from New Jersey's Over Kill, along with opener Night Demon, a trio from Ventura. Over Kill in particular- thrash legends that still have the power and energy of yore, blistering riffs intact. So to sum up- Some eighteen dates or so remaining, from Milwaukee and then into Minneapolis before heading west, concluding in Dallas on the 6th of December. A must see kinda show. Bobby Talamine - JBTV Music Television Chicago King Diamond, The Chicago Theatre, Night Demon, Bobby Talamine, Fiza Javid, Jerry Bryant, JBTV Music Television, Chicago Live MusicLive Review: The Sisters of Mercy - North American Tour 2024 with Special Guests Blaqk Audio10/24/2024  Sisters of Mercy - Bobby Talamine (c) 2024  Sisters of Mercy - Bobby Talamine (c) 2024 Writing and Photography by Bobby Talamine Edited by Fiza Javid Byline Bank Aragon Ballroom - Wednesday - October 23, 2024 Andrew Eldritch and The Sisters of Mercy. Post- Punk and Goth aesthetic intact. Andrew Eldritch - Menacing Vocals. Ben Christo- Guitars and Backing Vocals. Kai- Guitars, and also Backing Vocals. Chris Catalyst- Handling all facets and intricacies of the mighty Doktor Avalanche. Let it be known from shows of yore- Doktor Avalanche and the software involved, dating back to shows I witnessed firsthand in the early nineties- hit or miss, make or break when it came to the oomph of the mighty backbeat. A true headscratcher depending on venue, and the power needed to sustain a low end- a low end that the Sisters rely upon, and hopefully, not get buried in the mix. But, as time advances, so does tech thank God. Which brings us to the present day, and this current North American Tour in general. Doktor Avalanche is ever evident- and sustained mightily, allowing for in my opinion, a more relaxed and heavy even keel for Andrew to work his magic, even at the ripe old age of 65. This is important to note, live band speaking wise, simply because of the software updates needed to push and propel Doktor Avalanche, and the power needed....let's just say that things with the Sisters, let alone current live band, are compelling as all get out, courtesy of an amped up Doktor Avalanche. Adding guitarist Kai- a true multi- instrumentalist, with crafty solos and a juggernaut approach to adding melody on top of melody, like Doktor Avalanche, just propels away the whole Sisters show from openers "Doctor Jeep/ Detonation Boulevard", right on trailblazing through to the close, with of course, the mighty "This Corrosion". Andrew Eldritch- seriously loving and digging the hell out of Sisters business, mannerisms and defiance intact, with his low end growls exceptional throughout, especially witnessing up close and personal.  Sisters of Mercy - Bobby Talamine (c) 2024  Sisters of Mercy - Bobby Talamine (c) 2024  Sisters of Mercy - Bobby Talamine (c) 2024  Sisters of Mercy - Bobby Talamine (c) 2024  Sisters of Mercy - Bobby Talamine (c) 2024  Sisters of Mercy - Bobby Talamine (c) 2024  Sisters of Mercy - Bobby Talamine (c) 2024  Sisters of Mercy - Bobby Talamine (c) 2024 Gratifying, witnessing the Sisters on a workday Wednesday night? But of course! Moody lighting prevails as well, with lots of deep reds, bright strobes, and a backdrop that was lit up moody, with camo gear added to the backdrop as well, adding to the luster of the vintage charm that is the Aragon Ballroom. And as Andrew is quick to note- the band, the song selections- he's in a good place right now, comfortable in all things Sisters 2024. What a relief, in my opinion, knowing full well the mood swings of Andrew, when things ain't going quite right, tech wise, band wise. The songs, to the present day- just dark swing sinister and commanding, riveting performed live, literally unequal in whatever genre you want to pigeonhole them into. I mean think about it- songs such as "Ribbons", "Alice", "Dominion/ Mother Russia", and on and on- they still hold up, iconic as all get out. Classic songs that still sound fresh and sublime and nasty, songs pockmarkerd by armageddon, sexy femme fatales, hallucinogens, ten gallon cowboy hats of all shapes and sizes, Marlboros at the ready and of course- dark sunglasses. In other words, songs created by a band not to be fucked with. For some in attendance, bathed in black on top of black with more black- this show is meant to be "First and Last and Always". So for me, full band, full statements, a ripe and prickly Andrew Eldritch having a damn good time, and let alone me taking in the crowd from all over the main ballroom floor- Man, that was so damn fun. And towards the end, foot still on the gas, what with "Temple of Love", leading into the encore with "Lucretia My Reflection", and of course, ending with "This Corrosion". Current Sisters bill of health? A Plus. They certainly sparkled, they certainly entertained, all songs squarely punching you in the face, grabbing you by the throat to pay attention. And I haven't even mentioned the song "More", one of my favorites- A song with epic and swashbuckling showmanship, compelling you to dance, extravagance intact, just let loose and get uninhibited. Such is this Sisters show from the Aragon- older songs equating, still to this present day, So to come full circle: The Sisters of Mercy are solid and intact. The show was a full and relentless barrage of mighty songs delivered with gusto added with Andrew's low end growl angst. Followed up and added nicely with the faithful crowd in attendance moving, and moving along throughout. The whole night, Halloween spectacle n' all- and dancing with ghosts, all enthralled throughout to the pulsating end. Sisters of Mercy, god love 'em, delivered folks. Bobby Talamine - JBTV Music Television Chicago Sisters of Mercy, Aragon Ballroom, Bobby Talamine, Fiza Javid, Jerry Bryant, JBTV Music Television, Chicago, Live Music, Temple of LoveLive Review: TILL LINDEMANN - NORTH AMERICA TOUR 2024 with Twin Temple & Aesthetic Perfection10/1/2024  Till Lindemann - Bobby Talamine (c) 2024  Till Lindemann - Bobby Talamine (c) 2024 Writing and Photography by Bobby Talamine Edited by Fiza Javid Byline Bank Aragon Ballroom - Chicago, Illinois Saturday - September 29, 2024 The buildup prior to Till Lindemann hitting the stage was something to watch and photograph- The amount of people arriving early- The amount of sophisticated costumes and adorned makeup throughout the fans waiting in line- And the line on the east wall of the Aragon, around and hour and a half before the doors opened- longest I've ever seen for the Aragon. And the color of choice for most fans waiting in line and coming through the doors- Lots and lots of red. Deep fire engine red. And of course black for the guys- mostly wearing Rammstein T's in various logos, old to new. This is a party folks, even on a Sunday night in Chicago. With Till Lindemann, dialed down a bit in regards to pyro this, pyro that, it doesn't matter. Till, especially when performing live, is steeped in theatricality, in costume, in backdrops, in props, let alone his band, all of them, bathed in wicked costumeware to fit the overall mood. So there's that- Like a wicked B Movie horror show, brought to light by the visions of a guy like Till, where emphasis on menacing stage presence, and blessed with a deep deep baritone that ranges from on high to guttural. The spectacular lighting, even when photographing from Front of House (the soundboard on the main floor- around 40 to 50 yards to center stage)- a photographer's dream. The music matters, of course. But add theatricality, the definition of "A Show", and you have a lot working for you, the devoted crowd eating from the palm of your hand. From where I was perched at the soundboard for the first three songs, even the sound guys and lighting guys for Till were in on the action, in regards to feeling the beats, occasional arm thrusts in the air, the pulverizing backbeats to opener "Zunge", followed by "Schweiss" and then into "Fat" making the whole place shake and rattle. Couldn't help but smile in kind at the guys, letting them know just how so damn fun it is to participate a bit with them. Shows like this are memorable for lots of reasons, all of the above explained to some extent. And as for photography, you want to do right by him. The show has moods, conveyed through striking silhouette lighting, particularly the vertical spots coming down from the ceiling, let alone the sophisticated horizontal floor lighting at the lip of the stage to emphasize Till and his facial expressions (along with the rest of the band), and also the giant LED backdrop adding its own luster to the proceedings as well. It's like you're a kid in a candy store, trying to take it all in.   Till Lindemann - Bobby Talamine (c) 2024  Till Lindemann - Bobby Talamine (c) 2024  Till Lindemann - Bobby Talamine (c) 2024  Till Lindemann - Bobby Talamine (c) 2024  Till Lindemann - Bobby Talamine (c) 2024  Till Lindemann - Bobby Talamine (c) 2024 And if that's not enough- he's Till Lindemann for crying out loud, going solo for a bit, playing smaller venues than he's used to, fronting usually one of the biggest theatrical and punishing bands on the planet. So for this solo tour, it's well thought out, again without the use of heavy duty pyro, emphasis on songs, emphasis on band, emphasis on intimate setting with a strong and thumping PA, to make it a wicked haunted house party, even in the historical confines of the Aragon Ballroom, bathed in its own history of a steep past, with a Spanish Conquistador theme. So this show works on many levels, like all 16 songs total. That the show to some extent shocks and offends (especially in the lyric content), is deliberate. Like true rock shows of yore, where parents are set off to squeamishville from what their kids are interested in listening to- well that's the point. Even though lyrically, it's somewhat uncomfortable listening to a guy sing about sexual moods and encounters, with some of the unruly kind- I'm not in Till's head. But I do get the point. He deliberately pushes forth uncomfortability, making you embrace a bit outside of the box, and- try not to fear art. That for me is a great way to look at it, that this is a show, and try not to take a deep dive into overall historical thinking- embrace a bit the overall concept. So yes, outside of the striking costumes and mood of fire engine red, the show is also to some extent about uninhibited sex, and the lust thereof. The crowd gets it, jamming and pogoing in place to the wicked house party, So yes- the show is effective, and yet bewildering when pummeled with these thoughts to some sort of conclusion not taking place in what I'm witnessing and hearing, if that makes any sense. But again, I'd have to defer to Till for some sort of explanation if I wished to go down that rabbit hole, but maybe it's best that it goes by unexplained, and you interpret whatever, like all art of any kind is supposed to do. That's the beauty of it- you have a guy who relishes pushing boundaries, and is also fearless in approach. No need to immerse yourself in the setlist with this review, although I dug all the songs, all 16 of them including encore, without a doubt. And I'm pleased with the pictures from the back of the house, and with witnessing soundmen and lighting guys and tech guys for Till having a grand old time at the soundboard. If I had to sum up, especially for the folks who are going to the remaining seven or so shows on the tour, or are contemplating going- Till's show is a show to let loose.  Twin Temple - Bobby Talamine (c) 2024  Twin Temple - Bobby Talamine (c) 2024  Twin Temple - Bobby Talamine (c) 2024 Just let all inhibitions go. Immerse yourself in the overall vibes and beats. Have fun. Have a damn good time. The shows meant for that - A Plus. Same goes with support- Get there early if you can- Twin Temple, the wicked satanic doo wop couple, Alexandra James and Zachary James, are opening, blessed with a great set, with visuals, with costumes, and a flair for the dramatic. Same wit Aesthetic Perfection- who zipped through a short set, but still- they're performers I tell ya. So to sum up even more- The whole damn night was a party. Bobby Talamine - JBTV Music Television Chicago Till Lindemann, Rammstein, JBTV Music Television, Twin Temple, Bobby Talamine, Fiza Javid, Aragon Ballroom, Jerry Bryant, Chicago, Live Music The Jesus Lizard - Bobby Talamine (c) 2024  The Jesus Lizard - Bobby Talamine (c) 2024 Writing and Photography by Bobby Talamine Edited by Fiza Javid The Salt Shed Chicago Sat 9/28/24 The Jesus Lizard. Music and wild performance (as per usual) up the yin yang, courtesy of the mighty Jesus Lizard. Aging graciously? I think not. Aging whilst somewhat intact (health, play like kids, commence with punishing workmanship / workmanlike sound- you know, that sorta thing)- Well of course a yes and a yes and a definitive yes. Even on the strength of a new release titled "Rack", which was released like a week prior, on September 13th. Lots going on with these guys, which is pleasant to the ear, pleasant and downright gratifying especially live and in person, which of course, is their forte. The Jesus Lizard are many things. Not that complicated, but many things nevertheless, even before your eyes and writing are laser focused on all things David Yow, their charismatic lead singer. The Jesus Lizard rhythm for instance. The backbone of the band, often overlooked when playing live, but darn right formidable to the core. Bass guitar by David Wm. Sims, who, as stoic as ever, but above the waist, lays out molotov cocktail chords with vicious throws from his bass, to enforce the point. And to accomplish that time and time again, you throw the chords on purpose from the propulsive and punishing beats from Mac McNeilly on drums. The two- they are a menacing, a force of mass destruction (all songs). Same goes to some extent with Duane Denison on guitar, especially when witnessed live. He systematically stakes his place drum riser right, with a patch of real estate on the stage that encompasses approximately a 6 to 7 foot radius, nary moving, bit still- look at his hands when given the chance.  The Jesus Lizard - Bobby Talamine (c) 2024  The Jesus Lizard - Bobby Talamine (c) 2024  The Jesus Lizard - Bobby Talamine (c) 2024  The Jesus Lizard - Bobby Talamine (c) 2024  The Jesus Lizard - Bobby Talamine (c) 2024  The Jesus Lizard - Bobby Talamine (c) 2024  The Jesus Lizard - Bobby Talamine (c) 2024  The Jesus Lizard - Bobby Talamine (c) 2024  The Jesus Lizard - Bobby Talamine (c) 2024  The Jesus Lizard - Bobby Talamine (c) 2024 A paradox of complex polyrhythms, encompassing shards of guitar slaying chords to add to diabolical twists and turns that relegate your brain to jelly, if simply focused on that. For a label "Noise Rock"? Are you fucking kidding me? They may get that labeled at them, like a firestone brand on the ass from the back in the day, sure. But still, things develop spontaneously, just from years and years and years of writing, of existence, of whatever this and that. And they developed. And they sustained, even with lapses of playing off and on, with years of brakes in between the action. Even Steve Albini, god rest his beautiful soul, sung their praises, over years of producing their first groundbreaking albums, calling them "the best band of the 80's hands down". And he was (and still is) right. They paid attention to detail, they were (and are) workmanlike, rigorous and focused, as if they were opening the door for the first time to a brave new world of singing and songwriting like the young 'uns. To march forward to the present day, and witness the same cathartic vibe of old, whether it be shows at the Vic Theatre, or shows from Lounge Ax in Chicago- they still perform as if they want and need it. So enter David Yow. That he struggles with occasional singing (especially when out of breath), looks like a cab driver on his last days on the job, has hair and demeanor that is somewhat disheveled, just adds to his overall charm, and still to this day, unhinged and uncontrollable behavior. Which is what you need when fronting the three horsemen hounds that are behind you. The tell of old- the circular pile of microphone chord at the lip of the stage, just off center mic, approximately four to five inches piled up neat and circular. Meant for wielding a long distance when navigating and bodysurfing a crowd, So maybe not even two minutes into the first song "Puss", David is scratching his chin, pacing front of stage left and right, visually sizing up the crowd (as per always), finding the sweet spot to partake in the deep dive and commence to sing whilst bodysurfing, making sure to roll over and crawl and navigate as much real estate as possible while maintaining singing duties. Always coming out kinda unscathed, with maybe a couple missing long sleeve shirt buttons, and hair needing to hand held back, He minces words deliberately, breaks in tone and context, gibberish thrown in for good measure, suggesting a vocal counterpoint to Duane's shards of guitar slashes and haymaker coming chords. David, in all sense and purposes, is a vocal stylist at heart- not meant for pleasantness and sustained reasons and a chill behavior and mood. The whole point is to invigorate, to excite, to let loose and mix it up- bruises and wounds a badge of honor for anyone three to four to five rows deep from the main front stage barricade. A unique lead singer/showman, meant for a band such as The Jesus Lizard, a guy who howls and yelps and struggles to be heard over a band that is unforgiving, nor relinquishing the beat to "dial it down". This, in all sense and purposes is The Jesus Lizard live. And even though the pictures convey lots and lots of David Yow, let it be said that the accomplishments of Duane, of David, of Mac, do not go unnoticed. As a four piece, through most of 2024 (and hopefully beyond), they have lots to say, and more to say. Nothing like a band like The Jesus Lizard, not aging gracefully, with a lead singer that is still possessed. You should consider yourself lucky if you see them catch them perform live. Bobby Talamine - JBTV Music Television Chicago The Jesus Lizard, JBTV Music Television, The Salt Shed, Bobby Talamine, Fiza Javid, Live Music, Jerry Bryant Slayer - Bobby Talamine (c) 2024  Writing and Editing by Fiza Javid Photography by Bobby Talamine Douglass Park - Chicago, Illinois Sunday - September 22, 2024 I could cry knowing it is already day three! We have had such a phenomenal two days thus far, but this grand finale was genuinely worth the wait. And here we summoned an absolute banger day of metal, Ska and more. Here were some of the mind blowing photo highlights of day three: Saxquatch, Nekrogoblikon, Mastodon, Laura Jane Grace with Catbite, GWAR, Lamb of God, Rob Zombie, and Slayer! We gotta give a special shout out to Sublime for being a truly remarkable ska band being able to hold its own in a day filled with metal. We neeeeeded that Sublime energy to remind us that it is still in fact summer, with the metal bringing in hints of spooky season. Not to mention that this would be Jakob Nowell as the singer, and while he is the son of Bradley Nowell carrying this singing torch so beautifully for the band, he's also got a band with Noah Weiland, Scott Weiland's son called 'Jakob's Castle." He did an amazing job fronting Sublime, and it was as close to feeling like an original Sublime show as it can get! The costumes were so perfect for kicking off this cooler weather. We caught Saxquatch early in the day with Nekrogoblikon afterwards which was so fun. Speaking of which, Mastodon, GWAR and Lamb of God, All three godly performances. All three thoroughy emcompass the joy of being immersed in day three, where it can start to feel gritty bit you truly are living the environment of it all. Yes it rained, but it added to the feeling of enjoying these bands. We got dirty and rocked out.  Saxquatch - Bobby Talamine (c) 2024  Saxquatch - Bobby Talamine (c) 2024  Nekrogoblikon - Bobby Talamine (c) 2024  Mastodon - Bobby Talamine (c) 2024  GWAR - Bobby Talamine (c) 2024  Lamb of God - Bobby Talamine (c) 2024  Lamb of God - Bobby Talamine (c) 2024 Finally, Slayer! Funny enough, it was raining blood throughout the day. The amount of fake blood that fell from Gwar's set, some from the pit during Rob Zombie. It was as though everyone was preparing for Slayer. Slayer was such an incredible show, they did "213" which was their first time since 1998, and there is just so much to say that Bobby will be posting a separate review on them alone, because it is absolutely necessary. He captured around 4,000 images and is sifting through them today.  Slayer - Bobby Talamine (c) 2024  Slayer - Bobby Talamine (c) 2024  Slayer - Bobby Talamine (c) 2024  Slayer - Bobby Talamine (c) 2024 Truly could not thank Riot Fest enough for giving us the opportunity to behold one of the greatest festivals of the year. Until next year - JBTV Music Television Sublime, Slayer, Rob Zombie, Mastodon, Lamb of God, Cursive, Pennywise, Gwar, JBTV Music Television, Chicago, Live Music, Riot Fest, Bobby Talamine, Fiza Javid The Armed - Bobby Talamine (c) 2024 Writing and Editing by Fiza Javid Photography by Bobby Talamine Douglass Park - Chicago, Illinois Saturday - September 21, 2024 Today was hands down a memorable day two of Riot Fest. I had Jerry Bryant on the grounds with me, ready to take on the day and interview some incredible artists: Sincere Engineer, Verboten, The Armed, Pixel Grip, Spare Change, Lord of the Lost, LS Dunes, Jack Kays and Doomscroll! Those interviews will be available on the JBTV YouTube channel, so stay tuned! On top of these phenomenal artists we had the pleasure of speaking with were the artists we had the pleasure to rock out to! Here are today's photo highlights: Verboten, Dat_Boy_Zach, Pixel Grip, Lord of the Lost, Sincere Engineer, Princess Goes, The Armed, Nekroglobikon, Buzzcocks, LS Dunes, and Jack Keys! While I want to highlight every performance and artist, I'll stick to a few. First up, Pixel Grip started off the day at the AAA Stage, and I kid you not, the word around the festival since Friday morning were attendees saying "Pixel Grip, Pixel Grip... you've gotta see Pixel Grip. Have you heard of Pixel Grip? I've gotta get here early tomorrow and check out PIXEL GRIP." The performance absolutely lived up to the excitement. With songs like "Club Mania," "ALPHAPUSSY," and "Diamonds" among my favorites, along with their latest release "STAMINA." Rita, Rita, Rita. The look. The presence. The voice. The lyrics. They are not just a vibe, they are an ERA. I don't know about you, but my favorite thing about a movie is when there is a club scene that makes you want to go to the damn club with the hottest look and just sensually dance like no one is watching. Their music fulfilled that feeling for me and more. They have a tour coming up too! AHHH. Plus, Tyler Ommen and Jonathon Freund were true masters as well. The way their music flowed through that crowd. True powerhouses. Be sure to check out their interview on our channel! Another honorable mention to Dat_Boy_Zach, who opened up the day at the Rise Stage. Youngest, cutest little boy you've ever seen and this performance was for the kids. He performed songs about staying in school, listening to your parents, following the rules. He genuinely made Riot Fest history.  Verboten - Bobby Talamine (c) 2024  Dat_Boy_Zach - Bobby Talamine (c) 2024  Pixel Grip - Bobby Talamine (c) 2024  Pixel Grip post interview - Bobby Talamine (c) 2024 Other incredible mentions: Princess Goes, The Armed, LS Dunes and Lord of the Lost. Yes, we know and love Michael Hall as Dexter, and he cut a knife right into our hearts as an actor, but he certainly cut through our heartstrings as an artist. David Bowie vibes one minute, and ultimate alternative/indie voice next. The keytar, his smooth tone and the the synthy vibes of "Come of Age." Adored it. The Armed absolutely blew the roof off our heads and the LS Dunes was purely professional, phenomenal, incredible, endless, accolades, history and compliments for them! More in the interview. Lord of the Lost, hailing from the Reeperbahn capital of the world, Hamburg, Germany, truly gave us the dark rock we needed. True talents and Riot Fest connecting with more German artists is not only necessary but truly a GIFT.  Princess Goes - Bobby Talamine (c) 2024  The Armed - Bobby Talamine (c) 2024  LS Dunes - Bobby Talamine (c) 2024  Lord of the Lost - Bobby Talamine (c) 2024 I am going to spend the next several decades thinking about this year's Riot Fest. Onwards! - JBTV Music Television Riot Fest, Douglass Park, Bobby Talamine, Fiza Javid, JBTV Music Television, Pixel Grip, Princess Goes, Sir Chloe, The Armed, Clutch, Health, Beach Bunny, Waxahatchee, L.S. Dunes, Taking Back Sunday, Beck, St. Vincent, Pavement, Spoon Fall Out Boy - Bobby Talamine (c) 2024  Winona Fighter - Bobby Talamine (c) 2024 Writing and Editing by Fiza Javid Photography by Bobby Talamine Douglass Park - Chicago, Illinois Friday - September 20, 2024 Riot Fest! Riot Fest! Douglass Park! It is a staple of early fall, where a doom and gloom has not set in yet, but the calling of it feels like the summoning of pure rock music. Our very own Erika Force had a chance to interview Winona Fighter and Action Adventure. We will have that coverage for you post festival. Friday was already projected to be a legendary day of photo highlights: Winona Fighter, Polaris, Action Adventure, Fat Mike of NOFX, Drug Church, New Found Glory, Suicidal Tendencies, Souls of Mischief, Public Enemy, Cypress Hill, and uh... Fall Out Boy!! We are falling apart to half time. Sum 41, it is important to note, is preparing for a farewell tour, so the opportunity to see them could not be understated. First up Winona Fighter, who is a BLAST of talent, vocals and holy crap, she destroyed the drum section of a Turnstile cover like an absolute legend. She is officially on my top 10 drummers of all time list. Wearing a brat shirt, she was anything but Charli XCX sound but with all the screaming confidence, it was a marvel. Please go see her live when you have a chance. Polaris, they kicked off Riot Fest like total beasts. A morning wall of death? And it worked? YES TO THIS RAGER. They were consummate underrated professionals and masters.  Winona Fighter - Bobby Talamine (c) 2024  Winona Fighter - Bobby Talamine (c) 2024  Polaris - Bobby Talamine (c) 2024  Polaris - Bobby Talamine (c) 2024  Winona Fighter post interview - Bobby Talamine (c) 2024  Winona Fighter - Bobby Talamine (c) 2024  Suicidal Tendencies - Bobby Talamine (c) 2024 Holy riot fest. New Found Glory, Suicidal Tendencies, Drug Church, Souls of Mischief. Riot Fest always has so much to see and so much to do, so it is important for the images to speak for themselves. Jumping from one exciting moment to another. All were truly glorious experiences. Suicidal Tendencies stood on their amps as they performed and I was sure the crowd would set on fire from excitement. Drug Church were absolute gentlemen and were so much fun to behold. New Found Glory, pure love and nostalgia. Souls of Mischief as well. Did I say we also had a chance to capture he one and only Fat Mike of NOFX as well? Pinch me!  Fat Mike of NOFX - Bobby Talamine (c) 2024  Action Adventure post interview - Bobby Talamine (c) 2024  Drug Church - Bobby Talamine (c) 2024  Suicidal Tendencies - Bobby Talamine (c) 2024  New Found Glory - Bobby Talamine (c) 2024  Souls of Mischief - Bobby Talamine (c) 2024 While every single artist brought on major chops, the relative performances were worth noting. Cypress Hill and Public Enemy were legendary. They made the experience feel so expensive and star studded. Fall Out Boy is truly an unforgettable staple of Chicago, or should I say Wilmette, charm. No matter the time that passes it will always be an honor to this city to be associated with them. The absolutely threw an insatiable party. And did I mention the pyrotechnics? I know Rammstein is known for pyro, but I think Fall Out Boy set an absolute record, with Pete Wentz shooting fire out of his GUITAR. There will never be a more badass moment in rock n roll history. They had cheerleaders in hockey masks who gave it their all. Plus their stage setup with the floating sheep with wings, the giant bear. They put on the show of a lifetime and are absolute gods of Chicago.  Cypress Hill - Bobby Talamine (c) 2024  Public Enemy - Bobby Talamine (c) 2024  Fall Out Boy - Bobby Talamine (c) 2024  Fall Out Boy - Bobby Talamine (c) 2024  Fall Out Boy - Bobby Talamine (c) 2024 Hands down one of the greatest first days of Riot Fest to date. Until tomorrow - JBTV Music Television Riot Fest, Douglass Park, Bobby Talamine, Fiza Javid, JBTV Music Television, Fall Out Boy, Sum 41, The Lawrence Arms, Suicidal Tendencies, The Offspring, Winona Fighters, Zheani, Polaris, Public Enemy, New Found Glory, The Warning Joe Talbot of Idles - Bobby Talamine (c) 2024  Mark Bowen of Idles - Bobby Talamine (c) 2024 Writing and Photography by Bobby Talamine Edited by Fiza Javid Byline Bank Aragon Ballroom - Chicago Wednesday - September 18, 2024 All things IDLES. Opening with "IDEA 01". Then followed by "Colossus". Then followed by "Gift Horse". Ahhhh.....The IDLES slow build. But tension prevails- always lurking, seething, twisting the underbelly. By the time towards the end of "Colossus'- full bore mix it up with the crowd energy/ angst, courtesy of rhythm guitarist Lee Kiernan, Jumping off the Aragon's high stage to mix it up body surfer style with the crowd while slaying chords like it's no problem. By the time of the third song"Gift Horse", in comparison to the back catalog, like most of "Tangk", it repositions the band with more tuneful songcraft, but still punches to the air with overall intensity followed with biting lyric. They've developed their sound with experimentation with the electronics a bit, courtesy of Mark Bowen, who also is their lead guitarist, and yet, with the developed sound, have still rebounded with the overall intensity to embrace raucous energy that conveys emotional impact. Bottom line- it gets harder to define these guys with each pending release. Which is all good- keeping everyone on edge, while they continually develop their sound. The Aragon Ballroom in Chicago- a character in itself, what with the Spanish Conquistador feel, old school vibes, and large ballroom main floor.  Idles - Bobby Talamine (c) 2024  Idles - Bobby Talamine (c) 2024  Idles - Bobby Talamine (c) 2024  Idles - Bobby Talamine (c) 2024  Idles - Bobby Talamine (c) 2024  Lee Kiernan of Idles - Bobby Talamine (c) 2024  Idles - Bobby Talamine (c) 2024  Idles - Bobby Talamine (c) 2024  Joe Talbot of Idles - Bobby Talamine (c) 2024 IDLES, courtesy of Joe Talbot, know how to size up a room, any room, even the Aragon Ballroom, and bring their audience into a frothy union, to be as one in the struggle. The overall setlist- it's tough, it's demanding, filled time and time again with punk energy, punk spirit, conveyed in an honest manner, warts and all, fighting through pain, fighting through inevitable catharsis. Time and time again, whether it be festival related, or a more smaller venue, they captivate and wring you out energy wise, pushing you to get physical. The crowd certainly knows it, always at the ready to follow directions from Joe to split up the main floor when necessary, such as with the song "Divide and Conquer", let alone suck in his every word with the slow build songs, such as "The Beachland Ballroom", which comes later in their set. And a real treat was Joe and the band dedicating their song "The Wheel" to Chicago's own Steve Albini, who unfortunately passed away in May earlier this year. That they know the gravity of that loss, and also the equalness in all things "self determination", and fighting your beliefs, and hold true to that spirit speaks volumes. Such classy guys- IDOLS. So getting back to the show- doesn't matter- slow or hard and fast with bludgeoning- the Chicago crowd is captivated. This band- one of the best live bands on the planet. Always always consistent, always ready to fight, blue collar style. Song after song conveyed whiplash smarts, making you, pushing you to dance, to honestly feel alive, and shout out loud, especially mid section on, what with "Car Crash" or later on with of course "Divide and Conquer", followed by the evisceration of "WAR", or even "POP POP POP". It truly doesn't matter. This band is tight, constantly at the ready, grateful to be alive, to play, to tour. Again- all things IDLES. A band that still to the present day, ever defiant, of everything, and questioning everything. How can you not love these guys, and convey to the world, at the water cooler, or whatever, if you haven't heard of them, you're missing out. Your loss. Age be damned. Easily one of the best shows of the year, and that says lots, even when at the colossal and vintage Aragon Ballroom. Bobby Talamine JBTV Music Television Chicago IDLES, Byline Bank Aragon Ballroom, Chicago, Live Music, JBTV Music Television, Bobby Talamine, Fiza Javid, Jerry Bryant, Live ReviewLive Review: Peter Hook & the Light - Performing both "Substance" Albums by Joy Division & New Order9/9/2024  Peter Hook & the Light - Bobby Talamine (c) 2024  Peter Hook & the Light - Bobby Talamine (c) 2024 Writing and Photography by Bobby Talamine Edited by Fiza Javid The Riviera Theatre Chicago Saturday - September 7, 2024 Peter Hook & The Light- Bringing to the faithful the songs from Joy Division and New Order, live, since 2011. No need to get into the discrepancies involving his separation from New Order- that ship has sailed ages ago. Time to preach the positives, and clearly what Peter Hook brings to the table in establishing that gorgeous and formidable sound that propels most songs from both Joy Division, and especially New Order. My take on all of this, having witnessed and photographed Peter off and on with his solo band multiple times over the years is- Why not? The catalogs for both bands run deep, with Hooky equal to his (past) bandmates in establishing sound, songwriting, along with musicianship. And the catalogs for both bands- just so timeless, so priceless. This current tour with The Light, encompasses two sets, with nuggets from both bands, and a brief intermission in-between. And the faithful showed up that's for sure, filling up the main floor and also the first rail pretty quickly after the doors opened. And the full set- some twenty nine songs total, equally laid out between the two bands, opening with all things New Order, and closing out with all things Joy Division. The band, coming out onstage to perform "Murder", followed by "Regret", and into "Vanishing Point". A one/ two/ three punch to get the ball rolling into the deep dive of New Order. Old and newer songs- didn't matter. Crowd just ate it up, although a bit older, like patrons who grew up listening to both bands, which just shows yet again how deep down the crowd in attendance just loves them, and especially Hooky. He's still a formidable stage presence as ever, decked out in his military cargo pants, followed by polished Doc Marten ish boots, and black socks that were from the Metro Chicago- (Peter making a note of it in-between songs).  Peter Hook & the Light - Bobby Talamine (c) 2024  Peter Hook & the Light - Bobby Talamine (c) 2024  Peter Hook & the Light - Bobby Talamine (c) 2024  Peter Hook & the Light - Bobby Talamine (c) 2024  Peter Hook & the Light - Bobby Talamine (c) 2024 And a nice pleasant surprise to have the Metro's Joe Shanahan introduce the band to start the evening as well, making a special note of how he was (and we should be) excited about the evening's setlist. So yes, on a Saturday night in Chicago, in an intimate and cool venue such as the Riviera- "tis a party- all things Joy Division and New Order. The elegant songs, especially from the start with all things New Order, still have the feel of a rave, a dancehall sway to the beat kinda timelessness that latches on to you, ever present in revelry and transition to unclassifiable glee and enjoyment. There is no other way to put it, especially this late in the game, some 14 or so years with The Light after the breakup, and tweaking the songs a bit to honor the past of course, but to emphasize time and time again, all things Hooky, and especially low end bass. Nostalgia? That would be for me all things Cherry Red Viking Bass this, Viking Bass that. Hard for me to transition to seeing all new basses which Hooky has been using for a few years now- but I think I get what what he's after, without even asking. I could be wrong, but the older Vikings most likely had trouble with keeping in tune, even though visually they're just so badass. The newer models he's playing- strong and vibrant sound, most likely not so troublesome. Suffice it to say for me, I've grown to like (and accept) the new arrangement on instruments. After all, if Hooky is having fun without issues, then we should as well. Outside of that historical quibble, must say I cherish the moments to hear these songs performed live, in such close proximity to a special guy who's as proud as all get out, like a transplanted unofficial (yet official) "Chicagoan" by way of Salford and Manchester. Yes- Hooky loves this city so much, and the long and positive history with the city of Chicago, and all things starting at the Metro way way back in the day. Hooky's enthusiasm playing here, amps up our enthusiasm as well. And again- all things "Bass- How Low can you Go". Punctuated over and over with arm spinwheels, and yelps of encouragement, to get moving along, and to let loose. So the crowd- equal to Hooky- all young at heart- age be damned, at least for this night. As for me- Nothing, nothing beats hearing "Ceremony" live, followed by "Everything's Gone Green", followed by "Temptation", followed by "Blue Monday", followed by "Confusion", and then "Thieves Like Us". Damn. Old stuff sounding like new stuff, all blended together with a timeless and ageless appeal. Same with the breather, into all things Joy Division. Darker still, but still emotionally packing a wallop. Hard not to think of Ian Curtis hovering about about in the room, and what he brought to the table, with anguished angst. That the songs still hold up, particularly "Leaders of Men", "Autosuggestion", "Transmission", and especially "She's Lost Control", says lots. That bass line in "She's Lost Control", well, that makes you lose control, the sheer force of it. No "other Band" to hold Hooky back now- this project embraces followup and follow through to drive the point home, time and time again. And that's the whole point. Hooky's band, Hooky's vision and honest interpretation. The bass is important. Not to be buried, or limited in duration. If you want a dark dance party at two in the morning, play that song live with no end in sight, to the point of revered exhaustion. Trust me- the faithful will eat it up until everyone's an uncontrollable and sweaty mess. And Joy Division- dark, detached, emotional and yet detached, just sucks you in. Deep and honest and fervent songwriting will do that to you. So there you have it- A show that's so damn celebratory, revolving around a priceless bass player who understands the importance of his catalog, and the wherewithal to make them come alive. Bobby Talamine - JBTV Music Television Chicago chicago live music, rivera theatre, jbtv music television, jbtv, bobby talamine, fiza javid, jerry bryant, joy division, peter hook, new order Metallica - Bobby Talamine (c) 2024  Metallica - Bobby Talamine (c) 2024 Writing and Photography by Bobby Talamine Edited by Fiza Javid Soldier Field Chicago Sunday - August 11, 2024 No Repeat Weekend. 2 Nights. 2 Different Sets. 2 Different Opening Acts. IN THE ROUND. For once, I'm happy to report that YouTube cannot comprehend majesty at a greater scale perception wise, and the scope of a production that is complex, multi- faceted, let alone the high quality audio and PA in each and every live streamed video. To comprehend Metallica, currently in the midst of their North American leg of their M72 World Tour, with two stops in each city they play- the kinda show that you must see in person, not just chill and watch at home. Like the title above states in capital letters- "IN THE ROUND". That's the first clue to witness live and in person. The stage- starts in the bullseye of the middle of the field- at the fifty yard line, and goes out from there. It's a truly massive and impressive ring, which looks to be about 15 feet to 20 feet in width, with two bump risers on opposite ends with a few steps up, one of four unique places where Lars and his drumkits come out from down under, allowing for the entire interior stadium to get a good look at him and his Tama drumkit from a variety of angles. The iconic Metallica Snakepit- now it's in the middle of the ring, allowing for an intimate and yet energized experience of encompassing all things Metallica with a more intimate and energized appeal. The massive ring itself, at the exterior, is surrounded by gigantic vertical production towers, with immeasurable tech support from Creative Director and Production Designer Dan Braun, along with sophisticated Lighting Designer Rob Koenig, and of course Video Director and Designer Gene McAuliffe. I bring up these three heavy hitter kinda guys because of the scope and complexity of the production itself- it calls for recognition, in the way that the show is displayed, accompanying ingeniously a unique way to reach the people in the nose bleeds, to give each and every person in the house a way to experience their four heroes intimately, if that's humanly possible. It works. It works on a large scale. It really truly does.  Metallica - Bobby Talamine (c) 2024  James Hetfield - Bobby Talamine (c) 2024  James Hetfield and Robert Trujillo - Bobby Talamine (c) 2024  James Hetfield and Robert Trujillo - Bobby Talamine (c) 2024  Metallica - Bobby Talamine (c) 2024  Kirk Hammett - Bobby Talamine (c) 2024  James Hetfield - Bobby Talamine (c) 2024 Each and every song- all 15 of them- from opener "Whiplash", 'till the unfortunate end (which no one in the Soldier Field house wanted it to)- which was "Enter Sandman". The whole vibe and feel throughout- a showcase of sorts for the iconic hard rockers- James Hetfield, Lars Ulrich, Kirk Hammett, and Rob Trujillo. The entire show- these four guys feed off the audience, like a constant, like a locomotive train that just rumbles along, with no brakes, even for the slower songs for cryin' out loud. And as for night number two of Metallica at Soldier Field- no offense to the opening night, but still- how can you top "Whiplash" into "For Whom the Bell Tolls" into "Ride the Lightning"? That's a one- two- three punch/ counter punch that can't be topped in my op[inion. This wasn't a slow build up out of the gate- this was comprehension that you now understand why they take their time warming up prior to hitting the show- they need to be energized to become even more energized. Those three heavy hitter juggernaut kinda songs ain't easy. And from where I was perched for the three to photograph the start of the show on the main floor by the soundboard- the fans in my purview were crazed and in full volume, even for a Sunday night. Metallica made a statement in regards to this. They ain't going anywhere anytime soon. But you can't possibly play these breakneck songs when you're in your middle seventies- I could be wrong, but it would be tough. We're all mortal, with joints that can produce aches and pains. This is a band that made a statement right out of the gate that technically said- "Live Life to the Fullest". And they did. Followed by a wicked rendition of "Until it Sleeps", and followed by "Lux AEturna", from their latest release "72 Seasons". Not that the band doesn't have a catalog that goes far and wide- but still pleasant to hear that the new stuff is grounded in the old stuff, sounding fresh and clean and packed with upper cuts and haymakers. So the overall concert- It's all about the band, and nothing but the band. The whole place- the crowd, the band- pushing things to a level to a new and undefined place- a place where together, let's see where this night is going, in the round, and eye contact throughout that's up close and personal to the devoted, and feeding off of each other. Again- can you comprehend what I'm trying to convey? Hard to put into words the immensity and complexity of the production, and yet to feel the intimacy of it all, even in a gigantic outdoor football stadium, such as Soldier Field. They've conquered and have willingly comprehended how to make this work, where no one, I mean NO ONE, feels left out. Which makes you wish you were a fly in the room when production pitches were bantered about, and question and answer were immeasurably calculated and brought forth. Those meetings must've been something, to successfully produce a show that's this measurable and unforgettable.  James Hetfield and Robert Trujillo - Bobby Talamine (c) 2024  Lars Ulrich - Bobby Talamine (c) 2024  Kirk Hammett - Bobby Talamine (c) 2024  Robert Trujillo - Bobby Talamine (c) 2024  James Hetfield and Lars Ulrich - Bobby Talamine (c) 2024  Metallica - Bobby Talamine (c) 2024  Kirk Hammett - Bobby Talamine (c) 2024 To put it another way, each and every fan that comes to this M72 World Tour will have a chance to share their own unique experience and perspective, having witnessed a show firsthand that has thoughtfully thought of you, on a personal level, that certainly isn't cookie cutter whatsoever- a show that's meant to draw you in, and be a part of. I can't think of a production up to this point that has thoughtfully conveyed this, on this large of a scale. And it can't be easy budget wise, to lift everything up and out with anything large and in the round, with poor sight-lines and obstructions. None of that exist in the M72 production whatsoever. Again, fans (and band) have been brought in, not out. Room to roam, like a gigantic meet and greet. And everything is elegantly clean looking. Simple works- each and every time. It's like there's nothing there in the overall design, and yet you know there's a ton there, thoughtfully designed in a way that's camouflaged and hiding in place. So overall, again- the room where played feels intimate, to deliberately make it feel small. I'll bring this up until I'm blue in the face- that's almost incomprehensible. And just so thoughtfully displayed, on such a grand scale. It's like everyone in the Metallica family, to pull this off, are partners, not vendors and corporate this and that, and thinking "Low Budget". So coming full circle- I can go on and on about the band- the band this- the band that. Equally important to some extent, I suppose, detailing things about your heroes, and their technical proficiency and whatever in relation to the songs. For those in the know- you already know. For me- detailing things about the overall production is key, made more so by how it plays and equal part in propelling all things Metallica, thoughtfully displayed in such a way for all the world to see. Everything about Metallica on their M72 World Tour is intentional. Intentional to make Metallica METALLICA for everyone. You just can't get better than this, witnessing this iconic band firsthand, in the round. Such was the show on a Sunday night at Soldier Field. Easily one of the best shows of the year. Bobby Talamine - JBTV Music Television Chicago Metallica, M72 World Tour, Concert, Live Music, Soldier Field, Chicago, JBTV Music Television, Bobby Talamine, Fiza Javid, James Hetfield, Lars Ulrich, Jerry Bryant Blink 182 - Bobby Talamine (c) 2024 Writing and Editing by Fiza Javid Photography by Bobby Talamine Grant Park - Sunday August 4, 2024 I took her out, it was a Sunday night, I wore cologne, to go see BLINK-182!!!! Epic is a short statement about this day. We were off the grounds to catch more incredible acts! First up, BLINK-182. Nothing felt better than to hear the original blink sound, along with Mark doing a quick showcase of "When Your Heart Stops Beating" by his band Plus 44. Blink-182 was the soundtrack of my highschool years, so to scream along to "Dammit" "All the Small Things" "Always" and ofcourse "Miss You." To hear an audience scream along to "jone waste yore toye monme yorall redii the voice insoide moye yead" was heaven sent. We couldn't ask for more as fans. I made sure to follow the dance move to "All the Small Things" and it was also mind blowing to see Travis's drum kit raised above the stage. They are forever cemented as a timeless classic for Lollapalooza and every single generation has an undying obsession to see them, as long as they don't go near our moms.  Blink 182 - Bobby Talamine (c) 2024  Travis Barker - Bobby Talamine (c) 2024  Mark Hoppus - Bobby Talamine (c) 2024  Tom DeLonge - Bobby Talamine (c) 2024  Blink 182 - Bobby Talamine (c) 2024 Prior to catching the tail end of the festival day, JBTV caught up with the one and only Perry Ferrell of Jane's Addiction, Porno for Pyros, and creator of Lollapalooza. What a magnificient feat to witness the Godfather of Music Television sit down with the Godfather of Alternative Music. Perry and Jerry, the duo we didn't know we needed. The exclusive interview will be posted on the JBTV Music Television YouTube Channel. Thank you again to Perry and the team for giving us this opportunity. We are genuinely grateful.     This day's highlights: Pierce the Veil, Teddy Swims, Cults, Scarlett DeMore. Everyone brought so much heart and energy to this final day of the festival!  Pierce the Veil - Bobby Talamine (c) 2024  Pierce the Veil - Bobby Talamine (c) 2024  Scarlet Demore - Bobby Talamine (c) 2024  Teddy Swims - Bobby Talamine (c) 2024  Cults - Bobby Talamine (c) 2024  Cults - Bobby Talamine (c) 2024 Couldn't have asked for a better year. Until next year Lollaaa!!! - JBTV Music Television Blink 182, Pierce the Veil, Dominik Fike, Melanie Martinez, Zedds Dead, Two Door Cinema Club, Vince Staples, JBTV Music Television, Bobby Talamine, Chicago, Live music, Lollapalooza 2024, Fiza Javid, Jerry Bryant, Grant Park Future X Metro Boomin - Bobby Talamine (c) 2024  Crowd before Future X Metro Boomin - Bobby Talamine (c) 2024 Writing and Editing by Fiza Javid Photography by Bobby Talamine Grant Park - Saturday August 3, 2024 I got gas in the tank. I got money in the bank. I got news for you baby, you're looking at the KILLER aka celebrating the fact that the Killers would be one of the incredible headliners this fine Saturday, along with Future X Metro Boomin, and we were looking forward to a rager of a day! I was jamming my heart out to a couple songs on my drive over to the festival: Guess by Charli XCX ft. Billie Eilish, along with Jane's Addiction's new song "Imminent Redemption". Already extra hyped and I didn't even make it to the festival yet. Once I made it, I could only think "letssss gooo!!" Tom Brady style. So many incredible highlights of the day: Brigitte Calls Me Baby, Friko, Killer Mike, Deftones, IVE, ROMY, Dasha, The Killers and Future X Metro Boomin. ALWAYS to name a few because everyone is worth seeing. FUTURE X METRO BOOMIN. Pyrotechnics. Booming sound. Booming audience. Major bangers all the way through. The future covers were a blast, like "Low Life" and Mask Off." Every song was just so much fun to watch.  Future X Metro Boomin - Bobby Talamine (c) 2024  Future X Metro Boomin - Bobby Talamine (c) 2024  Future X Metro Boomin - Bobby Talamine (c) 2024 Deftones was truly the rage we needed to see at this year's Lolla. Listening to "Digital Bath," "Mascara," Change," and many more, we were genuinely rockin out. Watching Deftones is like jumping into a time capsule, except they just never lose their touch, ever. Lots of the audience was fresh off their performance at the Metro too, and looked forward to experience them at Lolla. Truth be told, a band like Deftones knows how to create a unique small venue experience and also turn it up x1000 for a major festival. They have the freedom to let completely loose, jump sky high, and that is precisely what they did. Accolades all around. Killer MIKE. Another set filled with ragers. Songs like "THANK YOU LORD," "RUN," and "DOWN BY LAW," he brought another element of loose and blow your mind off entertainment. He raps his tail off and always knows how to get the crowd truly in the moment with him. Truly unstoppable he is.  Deftones - Bobby Talamine (c) 2024  Deftones - Bobby Talamine (c) 2024  Killer Mike - Bobby Talamine (c) 2024  Killer Mike - Bobby Talamine (c) 2024 Then there was Brigitte Calls Me Baby. Fresh off a mindblowing performance on Jimmy Kimmel, they were like the ultimate 80's have returned and took the Killers with them, nostalgic sound we needed. But Wes Leavins is not a time traveller, he is an original true showman. His credits include working on the Elvis soundtrack and even playing Elvis on stage. Its no wonder he knows a thing or two. Seeing him was a marvel, and his voice echoes like the Smiths, just wholesome and genuine. More honorable mentions as stated above: Friko, IVE, ROMY, Dasha, Every single one of these artists shined through and through. IVY was so mesmerizing. Six absolute starlets on stage with pure perfection in every move. Truly a joy to watch. The Killers absolutely owned their set, true service men they are, and hands down one of the greatest bands on this planet.  Brigitte Calls Me Baby - Bobby Talamine (c) 2024  Friko - Bobby Talamine (c) 2024  IVE - Bobby Talamine (c) 2024  ROMY - Bobby Talamine (c) 2024  Dasha - Bobby Talamine (c) 2024 I CANNOT believe there is only one day left, it always goes by too quickly. Until Sunday, fun day - JBTV Music Television IVE, ROMY, Jerry Nunn, Ava Maybee, Nico Vega, Dasha, The Killers, Skrillex, Tate McCrae, JBTV Music Television, Bobby Talamine, Chicago, Live music, Lollapalooza 2024, Fiza Javid, Jerry Bryant, Grant Park, Hippo Campus, Deftones Stray Kids - Bobby Talamine (c) 2024  Bobby Talamine (c) 2024 Writing and Editing by Fiza Javid Photography by Bobby Talamine Grant Park - Friday August 2, 2024 Welcome back! If you're reading this, I made it out of Friday night of Lollapalooza 2024 as exhilarated as ever. While the heat continued to beat down, these incredible acts continued to bring up the heat a couple notches, and we were prepared for a sauna. So much spice, so much pizzazz, and so much excitement. Today's highlights: Stray Kids, Militarie Gun, Faye Webster, Blu DeTiger, Lauffey, Brandi Cyrus in a round two, McKenna Grace (What?! ahhh!!), to name only a few!! Notable mentions, dare I not say Sexyy Red and SZA, Both were IMPECCABLE! STRAY KIDS. Is a phenomenon. They came out so confident, so self assured and so exhilarated. It never ceases to amaze me seeing younger fans learning to speak korean so they can not only sing along but also in case they have a chance to talk to their favorite K-Pop artists. The younger generation of today is incredibly brilliant. Stray Kids was the absolute moment. They came out with “S-Class” and “FREEZE” While BTS gives the genuine nostalgic pop vibe, Stray Kids, came with an exciting electronic, cinematic and narrative feel of song-story telling and performing. It was definitely like no one I had ever seen before. Not only do I want to continue to see more BTS, but we may be due for a collar between these two power groups. One of their closing songs was “MANIAC” and this crowd damn near lost it. Pure energy and ecstasy.  Stray Kids - Bobby Talamine (c) 2024  Stray Kids - Bobby Talamine (c) 2024 Omg. PawPaw Rod. You made a HUGE fan out of me. With a look straight out of the Jimi Hendrix fashion line, he still had such a thrilling, unique stage presence the moment he addressed that crowd. Then his voice came through the mic and it was like taking the bite of a new piece of favorite dessert. Smooth. Delectable. Pure joy. So funky, so fresh, so original. I could present adjectives for days. But his music made me truly feel like I was put in a happy place. Particularly the song “Shadow” it was an absolute VIBE. Here I go with the adjectives again!! I can’t help it. I am pretty sure I am in love.  PawPaw Rod - Bobby Talamine (c) 2024  PawPaw Rod - Bobby Talamine (c) 2024  Militarie Gun - Bobby Talamine (c) 2024 Militarie Gun. To go from funky with PawPaw to Prog Rock over her is definitely a beautiful jolt. What a performer. With songs like "Thought You Were Waving" he has the makings of an angsty voice of a generation. I wouldn't be surprised if I see a sea of fans singing along in due time, but this crowd sure as hell did too. With a rugged name, his music was soothing, his presence and music was relatable and dare I say beautiful again? Ive said it a few times already. Then a song like "Do It Faster" comes on and he's got us all jumping around with some pouring water on themselves. So much fun and this is exactly what Lollapalooza is about. Truly highlighting the best rock artists to date, thats for sure. Faye Webster. Pure harmonizing elegant voice and the sound of being on a road trip with the love of your life. She has a collab with Lil Yachty called "Lego Ring" that needs to be checked out on YouTube, but witnessing this and her live was therapeutic. RAYE. Lollapalooza is the Genesis of her, and "Genesis" is a piece of 7 minute brilliance exploring phone addiction and societal issues with the utmost cool and clarity. She has rihanna sound elements, hip hop, raps as smooth and as poetically as one can dream of. "If you're thirsty like me, here is some pity with some self hate" is definitely the line that captures a lot of intense social media use. But she had us bopping along. While her music can have heartbreaking elements, its her voice that connects it so eloquently. She is another Lolla powerhouse that deserves many many accolades to come, What an incredible show she put on.  Militarie Gun - Bobby Talamine (c) 2024  Faye Webster - Bobby Talamine (c) 2024  RAYE - Bobby Talamine (c) 2024 Blu DeTiger is a groovy rocking masterpiece. The grooviest basslines in the freaking world, and we were bopping the entire time. When she sang "Vintage" we put ourselves right as the star of her music video did, we danced and grooved through the rhythm that she so perfectly delivered. There was also the song "Dangerous Game" which shows how dangerous she is. What a masterpiece!! "Call me yoko ono I'll break up the band." Girl you could be in a band of your own with your star power alone. What a performer. Laufey. Queen. Princess. I am "Bewitched" as she performed like a crooner truly marveling us with the most elegant voice I have ever heard in my entire life. With songs like "Fragile" she was nothing but fragile. She has this Bossa Nova groove, but with such an enchanting voice. If there is anyone who has mastered vocal flexibility, its her. She made us all feel like we were in a disney movie. BEYOND HONORABLE MENTION here. Truly truly grateful she graced the lolla stage!!  Blu DeTiger - Bobby Talamine (c) 2024  Blu DeTiger - Bobby Talamine (c) 2024  Laufey - Bobby Talamine (c) 2024  Laufey - Bobby Talamine (c) 2024 I've gotttta talk about McKenna Grace. JBTV didn't have a chance to photograph her, but I was there to bring the full scoop.First of all, I adored her prior to knowing she was a musical artist. I know this is her debut, but to know its happening at Lolla is truly a gift. The Conjuring, I Tonya, Handmaid's Tale, Annabelle, Fuller House... she is an on screen QUEEN! I wondered what she would sound like, her stage presence, and all the wrappings. Immediately the first thing that stood out to me was her voice. The way she commanded the mic, her pop sound, her dominance on stage coupled with her lyrics. Her single "Swim Team" is an instant hit that I will be putting on a playlist right next to Haylee Williams. Be sure to check that out along with "LOSER!!" and she is the furthest from that. Her acting chops is really what pays off here, and not because she is pretending. None of this was fake in the slightest. It is her ability to connect emotionally to the song and audience that will keep people coming back for more. For a start of a music career, she is off to a POWERFUL start. And its not easy making the transition from acting to music, and vice versa. But she is going to create the masterclass on this. I wonder which one she wanted to do first? Either way, I cannot wait to see her headline one day. Until tomorrow, and we'll try and sleep through the excitement tonight. Still pinching myself after today. Lets keep it rockin! - JBTV Music Television Lollapalooza 2024, Bobby Talamine, Fiza Javid, JBTV Music Television, Grant Park, Sza, Sexyy Red, PawPaw Rod, Brandi Cyrus, McKenna Grace, Stray Kids Zedd, Perry Farrell Writing and Editing by Fiza Javid Photography by Bobby Talamine Grant Park - Thursday August 1, 2024 Lets gooooo Lollapalooza 2024! The streets were lined up with impending Chappel Roan fans ready to camp out. While the potential for thunderstorms loomed, there was no intention for it to rain on any parade. Anyone ready to go to Chicago's Lollapalooza, which might very well be on the top 3 list of Lollapalooza festivals happening this summer, knows to prepare with a pair of throwaway shoes and a bathing suit under their clothes. I pretty much did that, only to be graced as everyone by the heat and entirely lack of rain to actually hit us. There was so much hospitality in the crowd with festival-goers carrying spray bottles, getting snacks at the Lolla-Bodega and preparing like all hell for any hell-ish heat. It did get hot in therrre, but no one took off all their clothes. Anyways, the highlights were astronomical: Chappell Roan, Tyla, Brandi Cyrus, Been Stellar, Kesha, Saint Levant, and Hozier. Beyond stoked! First up, gotta cover the headliner Hozier. Hozier, tireless, timeless, endless classic, and a damn near spiritual awakening. They debuted their new song "Nobody's Soldier" exclusively for the Lolla audience, and it was like I was listening to one of my favorites that is on the list to show my children. The way his vocal prowess commands the stage, Andrew sings like he doesn't know that his is on a top 5 vocal list of nearly every inspired musician and fan. Songs like "Movement" and "Take me to Church" are ofcourse on everyone's list, but "Jackie and Wilson" carries an all American air to it (yes I know he is from Ireland), but the feel of this song is everything good about being in the country side. He is so wholesome and the set was a 10/10 masterpiece.  Hozier - Bobby Talamine (c) 2024  Hozier - Bobby Talamine (c) 2024 Hozier - Bobby Talamine (c) 2024  Chappell Roan - Bobby Talamine (c) 2024 CHAPPELL ROAN. I'm sorry, you had to be there. H.O.T.T.O.G.O., is an understatement of who she was ofcourse, as she came in like fire, powering through the stage like dynamite. I've never seen a crowd of what felt like 50,000 people dance along like that. It was like witnessing live worship, but if the goddess is doing splits and singing dynamtically. She has Lady Gaga level starpower. Its not to say her and Kesha should ever be compared, but it is a testament that Kesha even loved her so much that she was willing to trade stages with her. They both were equal parts dynamic. Chappell Roan's rapid success should not be underestimated, and her performance, while had the costumes, the body builders and dancers to show for it, was a perfectly sculpted headline act, and not a circus. Other incredible songs were "Feminomenon" and "Kink is My Karma" (check out those videos please), and her ability to go from powerhouse physical performer to singing beautiful melodic scales it truly a FEAT. TYLA!! Right before Chappell Roan, was not an easy task, but boy she was stunning. There was a giant tiger on stage that she stood on the stage setup of. To see Amapiano music on the main stage, her smooth like butter dance moves, and songs like "Truth or Dare" and "Water", anyone new to her music like I was, was truly locked in. She is going to reach Rihanna level status.  Chappell Roan - Bobby Talamine (c) 2024  Chappell Roan - Bobby Talamine (c) 2024  Chappell Roan - Bobby Talamine (c) 2024  Tyla - Bobby Talamine (c) 2024  Tyla - Bobby Talamine (c) 2024  Saint Levant - Bobby Talamine (c) 2024 From Gaza with love. Lover boy from Levant. The one and only SAINT LEVANT. While a music festival isn't the typical place to find anyone discussing the ongoing world issues, Marwan of Saint Levant wasn't just a reminder of the horrors taking place and how we should not look away, but that this is a homeland, A culture. A people. Traditions. Dance. MUSIC. We were right at home as he serenaded us in the audience, but also showcased his genuine love for who he is. Not only does Gaza have a right to live, but right to thrive and be celebrated by Marwan and everyone he represents. On the Bacardi stage, he performed the songs off his new album DEIRA, aptly named after the hotel his father owned in Gaza that was destroyed by IOF. Songs like "On this Land," my personal favorite, "Nails," "5am in Paris." Saint Levant truly takes multi-talented to a global level. It is NOT easy to go from singing in French to English to Arabic, but there he was wooing us in three different languages. And he plays sax? Growing up, he spoke French at home, Arabic in Gaza, and English at school. He also has a new song with incredible rapper MC Abdul, who also hails from Gaza as a 15 year old with 1.9 million followers. The crowd danced their heart out, sang along, and we all chanted in protest after he left the stage. The Palestine flag and Keffiyehs were covering the crowd and the pride and joy was absolutely a beautiful thing to witness on these festival grounds. Saint Levant. LOOK OUT, he is one to remember forever. What a beautiful soul and a talented rapper and multilinguist. KESHA!! Woke up in the morning feeling like.... KESHA. Because she was ready to hit the city of Chicago and she absolutely gave us a show to remember as well. From "Tik ToK" with an edited lyric to "Freedom" to "Die Young." We were screaming messes. She brought all the mothering sass with the "B*ITCH" bag with her dancers embracing her. I want to go back for more.  Saint Levant - Bobby Talamine (c) 2024  Saint Levant - Bobby Talamine (c) 2024  Kesha - Bobby Talamine (c) 2024  Kesha - Bobby Talamine (c) 2024 Brandi Cyrus and Been Stellar: Brandi brought that incredible Cyrus energy post Camden Cox's first set of the day (yes Camden ALSO went on prior to Hozier but at the Tito's stage.. what tenacity and stage presence!) and Cyrus was electric. She has the natural charisma that put her in a league of her own, along with the star power. Kicking off Lollapalooza is no easy feat, but her effortless DJ process, the vibes were just right. Been Stellar rocked the stage jamming up with a tambourine and pure energy to give. Just like when Taipei Houston rocked out at Lollapalooza, they were also nothing short of stellar. Its refreshing to come across new alt-rock bands, and for a band in the genre to not sound like anything that has come before, but Been Stellar is effortless in their musical process. Low maintenence look, but able to take on a bigger stage. This set almost felt underground and like a hidden secret.  Brandi Cyrus - Bobby Talamine (c) 2024  Crowd during Brandi Cyrus - Bobby Talamine (c) 2024  Been Stellar - Bobby Talamine (c) 2024  Been Stellar - Bobby Talamine (c) 2024 Cheers to an incredible day one. Until tomorrow - JBTV Music Television Lollapalooza 2024, Bobby Talamine, Fiza Javid, JBTV Music Television, Grant Park, Kesha, Been Stellar, Brandi Cyrus, Saint Levant, Hozier, Megan Thee Stallion, Perry Farrell Brittany Howard - Bobby Talamine (c) 2024  Mannequin Pussy - Bobby Talamine (c) 2024 Writing and Photography by Bobby Talamine Edited by Fiza Javid Union Park Chicago Sunday - July 21, 2024 Pitchfork Music Festival- All three days- Just such a splendid time, with memorable performances throughout, followed by a wonderful vibe throughout while on the Pitchfork grounds. Sunday's lineup- A wide mix of cast and characters. Brittany Howard- Just so transfixing and uplifting (Including her interview earlier in the afternoon). Model/ Actriz- That was a show folks. The kinda performance you'll never forget- either you were there in the mix, or you weren't. But man oh man- Cole Haden- vocalist extraordinaire for Model/ Actriz- now I understand why he's everyone's favorite performer- onstage theatricality followed by a boatload of charisma followed by a guy who knows how to mix it up on the grounds at the front of the stage, both east and west along the middle rail, let alone the red carpet runway walk through the middle rail towards me, eye contact with me intact. (More on that a bit later in the review). How about Mannequin Pussy and particularly Missy Dabice on guitar and vocals? That photo pit- PACKED. And how about Grandmaster Flash and his definitive call and response throughout his set? "Quick Mix Theory?" Which he's ever so known for? Talk about a guy who still knows how to read a room, or a crowd. The list goes on from there of course- standouts all- however this is the start of starts. Weather- outside of occasionally hot with the sun beating down...but still- perfect. Brittany Howard- Just such joy. Immense amounts- boatload amounts of Joy. That she takes deep dives into so many styles of music, all with spiritual uplift...the kinda performance you just don't want to end..just go and go, and go some more. Everything from psyche out jazz, followed by some serious soul, followed by sophisticated funk. Brittany knows, and feels it all. I can go on with the superlatives- and all of it well meaning review wise, and from the heart. But her set was needed man- especially the earlier in the day announcement in regards to Joe Biden, and dropping out of the Presidential Race. A lot going through your head from early afternoon, and trying to accept things, settle in, get back to the music. So yeah- a set like that from Brittany Howard, offering up a slew of songs from her critically acclaimed latest release "What Now", and opening up her set with "Earth Song"..soak in the vibe and the gentleness of it all please....delicate ambience now has a permission to enter, and to entertain. Honest fragments of feelings permeate her set, backed by a band who know things about push and pull, laying out the groundwork of confidence to let Brittany to shine, and shine some more.  Brittany Howard - Bobby Talamine (c) 2024  Brittany Howard - Bobby Talamine (c) 2024  Brittany Howard - Bobby Talamine (c) 2024  Brittany Howard - Bobby Talamine (c) 2024  Model/Actriz - Bobby Talamine (c) 2024 As for Model/ Actriz- also sorely needed. The tension just builds and builds throughout the first two songs of their set, particularly with lead singer Cole Haden, even when calmly coming out from stage left, and applying his lipstick. Followed by slow sashays stage left to stage right, twirling his pocket purse on a chain, let alone the microphone stand, let alone his wicked leg kicks. Like you think everything could possibly be a weapon, so watch out. By song three- Cole is off stage, into the pit, down the main rail runway, and into the crowd, both the east side and the west side. And mixing it up, followed by mixing it up some more. And a microphone cord which stays intact, which by the looks of things could be like a one hundred yards long, handheld by everybody including security, all in support to keep Cole focused on the angst and wickedness, even at like 3:30 in the mid afternoon, with the blazing sun beating down on you- on everybody. So yeah- during song three, I'm a bit soaked like Cole. This is some serious shit that needs to be documented, mixing it up in the crowd, equal to what Cole is unpredictably doing. That's the key takeaway, the key element of it all- NOTHING SCRIPTED. Sure, it's downright fun- but the unpredictability of it all, both east and west of the rail- Cole knows how to read a crowd, and provoke provoke provoke, with a mindset based on danger, and also letting loose. That the band Model/ Actriz are still up onstage and their elements of surprises certainly ups the ante in attitude, with Cole roaming the crowd. This band- The highlight of Day Three, up there with Brittany Howard. Again- both of them....Brittany Howard and Model/ Acrtiz- just so damn memorable. And the entire day of Day Three has it's moments, with Mannequin Pussy laying the ground of carpet bombs form the Blue Stage, ready willing and able to provide forthright indie slash punk rock attitude, including fashionista by way of wicked clothing options to show their standoff and draw your line in the sand appeal.  Model/Actriz - Bobby Talamine (c) 2024  Model/Actriz - Bobby Talamine (c) 2024  Model/Actriz - Bobby Talamine (c) 2024  Model/Actriz - Bobby Talamine (c) 2024  Muna - Bobby Talamine (c) 2024 Grandmaster Flash- the epitome of Call and Response- on constant, age be damned. That crowd for his performance- all age groups, all ever ready to aid their parts in the singalongs. Simple setup and presentation all the more perfect to unleash the hounds for Grandmaster's fervent mixes. The rapper Maxo- a chill vibe in with a blazing sun beating down yet again, but still, the chill vibe, from audience to Maxo himself- a cool set of understated and sophisticated beats. Opener Akenya- a cool and sophisticated artist, that's for sure, blending elements of multiple genres with plenty of surprises, heaped in melody. And also MUNA, a high energy trio who when hitting the stage- amped up attitude, along with a rabid fanbase audience equal to the amped up attitude as well. Have to say Nala Sinephro had a nice and relaxing vibe throughout her set as well, with a solid mix of pedal harp, along with a full band that knows key elements of jazz and the use of modular old school synths to add to their sophisticated palette of ambience.  Grandmaster Flash - Bobby Talamine (c) 2024  Maxo - Bobby Talamine (c) 2024  Akenya - Bobby Talamine (c) 2024  Nala Sinephro - Bobby Talamine (c) 2024 And so Pitchfork Music Festival comes to a memorable end, heaped in musical styles and genres, all embraced with a welcoming attiude. Such was the three days, even though physically exhausted, deadlines on my ass, and still- I don't want to decompress. I want to relive the memorable experiences just so etched in my brain. Bobby Talamine - JBTV Music Television Chicago Pitchfork Music Festival, Bobby Talamine, Fiza Javid, Chicago, Live Music, JBTV Music Television, Jerry Bryant, MUNA, Brittany Howard, Model, Actriz, Grandmaster Flash, Nala Sinephro, Maxo, Akenya, 2024 Jamie xx - Bobby Talamine (c) 2024  De La Soul - Bobby Talamine (c) 2024 Writing and Photography by Bobby Talamine Edited by Fiza Javid Union Park Chicago Saturday - July 20, 2024 And this gorgeous weather continues to hold. Unusual considering Pitchfork's of yore, with usually one day or two out of the three ending up being kinda messy with rain. Not the case this year, enlivening the overall positive mood and jovial atmosphere. Pitchfork Day Two always elevates everything electric, with this year being no different- emphasis towards the later afternoon forward with all things "DANCE". Get up off your feet and celebrate "DANCE". The artists involved in all things "DANCE": Jessie Ware. Followed by Carly Rae Jepsen. Ending with headliner Jamie xx. Yes, there's a wide variety of musical tastes from the start of the day going forward as well, with cool indie rock provided by local faves Lifeguard, along with trailblazing instrumentalist L'Rain, and also some fun and angst with Hotline TNT, and some more cool indie rock with zig zags provided by Feeble Little Horse. Also by way of Indie Pop with a genre smattering of sounds with Water from Your Eyes. And of course, everyone's fave, cool unclassifiable hip hop by way of jazz rap with De La Soul. So, if provoked with push and pull of a one word synopsis for all things Day Two: "PARTY". With emphasis on "DANCE". So yeah, my breakdown of all things Pitchfork Day Two should surround ourselves with fun, since it was that kind of day. Starting with headliner Jamie xx,, and all things that make events something fun, mix something fun, entertain the crowd, bring some joy and high energy, and well, make everybody move and dance. From the pit- terrific lighting, solid strobe lighting, heavy on the stark black and whites, with a video LED backdrop that provides even more contrasty images of all things black and white, and sometimes all white. And it works, visually showcasing Jamie's twists and turns and catchy beats, one song easily blending into another with no serious pause. After vacating the pit to take in the ambience- the main stage lawn- dance was ever evident, all shapes and sizes and age groups. Damn, that was fun, taking in that gorgeous aspect of this Jamie xx party as well. Nice to see Jamie let out an occasional smile as well- he has this tendency of coming off all serious throughout his sets, even with The xx. Not tonight- on this perfect night, to let loose on a gorgeous Saturday evening in Chicago's Union Park.  Jamie xx - Bobby Talamine (c) 2024  Jamie xx - Bobby Talamine (c) 2024  Jamie xx - Bobby Talamine (c) 2024  Carly Rae Jepsen - Bobby Talamine (c) 2024 Put your bodies on the dance floor I tell ya. Don't let up. Foot on the gas. Yeah- Jamie xx was that kinda show. Before Jamie xx- Enter Carly Rae Jepsen headlining the Red Stage. Tough act to follow, following the high energy set just before from none other than Jessie Ware. But a girl's gotta do what a girl's gotta do. Maybe not as high intensity with overall flow like Jessie Ware- but still captivating nonetheless, with Carly still trailblazing forward with her version of sophisticated synth pop, and embracing joyful, playful and vibrant songs. That she performs with such confidence throughout just adds to her charm and sexiness- every song a theatrical counterpoint narrative, occasionally even coming forward to command everything front and center, like right in front of me, literally nose to nose while singing her lungs out on top of the pit standing subwoofers. Didn't expect that- wrong size lens included. Still- outrageously awesome to see Carly take some risks and let loose, emphasis on extroverted attitude.  Carly Rae Jepsen - Bobby Talamine (c) 2024  Carly Rae Jepsen - Bobby Talamine (c) 2024  Carly Rae Jepsen - Bobby Talamine (c) 2024  Jessie Ware - Bobby Talamine (c) 2024 But right before- definitely the performance of the day / late afternoon- The goddess Jessie Ware. Of the triumvirate undercard headlining "DANCE"- the award goes to Jessie Ware. That was a Vegas show I tell ya- with more Vegas on top of Vegas. But not dialed in- personal attitude required for a festival setting such as Pitchfork, all the while reminding everyone the joys of the city of Chicago, which she obviously adores. Jessie Ware was having a damn good time, with no letup whatsoever, utilizing her dancers, her backing band, her backup singers as one big gigantic family, from opener "That! Feels Good!", all the while fearless in the sexy. I mean sexy sexy sexy, with an all encompassing retro mood, with such cool and glossy pop songs. Such a commanding vocal attack throughout her set, even down to an awe inspiring rendition of Cher's "Believe", with literally everybody, I mean everybody all the way to the back- like a 100 yards from the stage swinging along to the dance party. I mean, how do you top that? How do you even follow that? So she starts her set on time, but it's a little after 6pm in the early evening, with the sun still out, the entire time, hitting the west facing Green Stage. And this is one big gigantic party at Pitchfork- no letup in sight. I kept imagining- what if this was Jessie headlining, like after the sun goes down, and you have "Bada Badass Boom!" kinda lighting and sexy theatrics? Pitchfork in my opinion, would never be the same. Just constant mirror ball lit songs throughout her set, emphasis on solid choreography and with a vocal attack with no letup. Yes- Jessie Ware was a transformative and oh so memorable experience. Oh you guys in De La Soul- a fun art rap party- chill, yes, but with a lot of crowd interaction push and pull, brought to you by the two surviving members- Posdnuos and of course Maseo. Such cool guys- the kinda rap that you can dance to- an arty and witty vibe, with positive attitude and originality, nothing fake, nothing dialed in.   Water from Your Eyes - Bobby Talamine (c) 2024 Water from Your Eyes, a band that has the feel of keeping you at arm's length, and yet provide some tight interplay, although dialed down- nothing jagged, in regards to their brand of indie/ alternative. Same with Feeble Little Horse- but the delay between songs in their set just lessened the overall mood and energy from the crowd, although still enthusiastic, don't get me wrong, but still, this band has some serious tight energy when performing- just wished the energy flow wasn't diminished with awkward breaks between. Hotline TNT- a band with the what the fucks- that being they don't look the part with this kind of serious and jagged songwriting. A great set with emphasis on serious noise, with solid melody and a bit of disjointed angst. L'Rain- concentrating on delicate and complex chill, with a backing band with power, if needed. Her set was riveting, even at 2:30 in the afternoon, her dreamscapes setting a mood of tranquil thought and solid harmonies. And then leading to all things Lifeguard- a local Chicago trio making some serious waves and critical acclaim, especially important considering how young they are. Their set- opening day Two of Pitchfork believe it or not- one of the main highlights from Day Two for me. Just intriguing and high energy singing and songwriting- brazen hooks throughout, wise beyond their years.  Hotline TNT - Bobby Talamine (c) 2024  L'Rain - Bobby Talamine (c) 2024  Lifeguard - Bobby Talamine (c) 2024 Such was the showcase of Saturday at Pitchfork- memorable- just so damn memorable. Hope my photography reflects that. Bobby Talamine- JBTV Music Television Chicago Jamie xx, Pitchfork Music Festival, JBTV Music Television, Chicago, Bobby Talamine, Fiza Javid, Carly Rae Jepsen, Jessie Ware, De La Soul, Lifeguard, Feeble Little Horse, L'Rain Eric Burton of Black Pumas - Bobby Talamine (c) 2024  Eric Burton of Black Pumas - Bobby Talamine (c) 2024 Writing and Photography by Bobby Talamine Edited by Fiza Javid Union Park Friday - July 19, 2024 Pitchfork Music Festival for 2024: The overall vibe and feel- relaxing. Chill. From when the gates opened at noon, to around 3 pm- just damn fun, leading up to the Day One headliner- Black Pumas. Although at times a bit hot outside, with direct sunlight, no clouds. The chance of rain for all three days- minimal to none. The perfect backdrop for this unique music festival, with a wide assortment of acts to pick and choose from, which is always the case for Day One at Pitchfork- everything from indie instrumentals (Black Duck), to renegade rap (Angry Blackmen), to indie electronica (ML Buch)- and the list goes on from there, covering even more genres up to the headliner. As for the headliner, that being Black Pumas- still worthy of your attention, even though it seems they play here in Chicago what seems like on repeat- the last stop in Chicago being back in January at the Salt Shed, for a multiple night residency. Still compelling, still full of energy, especially through lead singer Eric Burton, who has "Entertain" in his DNA. The songs- dynamic, and captivating, made even more so in an outdoor festival setting, with a crowd eager to dance along to the singalongs. Plenty of that with a performer such as Burton, who wheels and deals from the main stage with occasional forays into the pit and along the rails to engage with his audience, and take a few moments to let everything sink in- audience to stage- sometimes as a fan of his own band looking forward to the stage, and what he's created with Adrian Quesada. As always, co-founder Adrian Quesada remains chill and steadfast on the main stage, with guitar parts and songwriting that push and compel the audience to take part with shared vocal, with starry eyed soul front and center, made even more so with a whipsmart backing band embracing all things frenetic and electric energy. Always with these guys, their performance seems like they're over in a flash- their musicianship just so solid throughout- making time just whiz on by. Just a splendid time to start the Festival, with a solid band to headline Day One. Opening on Friday- Black Duck, who know a thing or two with instrumental this, instrumental that- compelling improv being front and center. That they're local as well, with a solid pedigree in musicianship from serious bands, such as Tortoise and also Eleventh Dream Day, which should tell you lots. Performing live- slathered and polished improv- made even more so.  Eric Burton of Black Pumas - Bobby Talamine (c) 2024  Black Pumas - Bobby Talamine (c) 2024  Black Pumas - Bobby Talamine (c) 2024 And then Angry Blackmen. Which are- downright Angry Blackmen. Local dudes who make hip hop with fervent energy, and a strong message to boot. They started off kinda slow, but picked up steam as their set went along, all the way to mixing it up on the grounds at the front of the stage, ever eager to bring the message with in your face (literally) and sharing in communal mosh and angst. One of the memorable highlights from Day One, with Angry Blackmen. Then enter composer ML Buch, who transcends all things "Chill", but done with class, all things electronica. And again, we're all over the map music wise, followed by Tkay Maidza, a Zimbabwean born singer/ songwriter rapper, but with a gentle and sexy vibe to lay down some grooves in the middle of the afternoon on a bright summer day. Bopping around everywhere, taking it all in, even with Doss, a sophisticated electronic DJ, who knows a thing or two with complicated and yet catchy beats.  Angry Blackmen - Bobby Talamine (c) 2024  Angry Blackmen - Bobby Talamine (c) 2024  Tkay Maidza - Bobby Talamine (c) 2024  Jai Paul - Bobby Talamine (c) 2024 And of course, another highlight from Day One, with American singer and DJ Yaeji, who is a firebrand, that's for sure, mixing house music and hip hop with some serious and catchy dance moves, made even more so with her two backup dancers, who are solid in elevating the set to a higher level of theatrical dance- a perfect encapsulation of her sounds and structure. Dylan Brady and Laura Les- better known as 100 gecs- Hyper Pop ambassadors alright, even though stage costumes are dialed down this time around- simple setup and overall feel, not much fanfare and outlandishness like I've seen before- but ever evident in songs that pack a wallop. And their fanbase- their audience- screams of hyper kinetic energy throughout their set. British musician Jai Paul- so looking forward to his set, since he rarely tours and performs. And his set- although dialed down a bit- didn't disappoint. He has an elegant state of grace, that's for sure, a sophistication that doesn't need over the top bells and whistles- just some solid backing musicians with elegant songs that matter. And then there's Jeff Rosenstock, who brings the angst, the pent up energy needed to balance the whole day out prior to Black Pumas hitting the stage. Guess what- fun and catchy punk anthems are the order of the day- opening with a tape from System of a Down, the song "Chop Suey", the crowd eating it up, followed by Jeff Rosenstock finishing off the song live- punk n' roll style.  DJ Yaeji - Bobby Talamine (c) 2024  Jeff Rosenstock - Bobby Talamine (c) 2024 That should tell you lots- this band rife with anxiety and uncomfortable this- uncomfortable that. And so goes all things Pitchfork Day One- a slice and dice foray into musical genres of all shapes and sizes, just like you'd expect from them to get the ball rolling into days two and three. Bottom line- memorable and damn fun! Bobby Talamine - JBTV Music Television Chicago Pitchfork Music Festival 2024, JBTV Music Television, Black Pumas, Bobby Talamine, Fiza Javid, Chicago, Live Music, Union Park, Angry Blackmen, DJ Yaeji, Tkay Maidza, Jeff Rosenstock |
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